"There are historical analogs, which are not exact, of course, but are close enough to be worrisome. This is a whiff of early Nazi Germany. [Adolf] Hitler was appealing to groups with similar grievances, and giving them crazy answers, but at least they were answers; these groups weren't getting them anywhere else. It was the Jews and the Bolsheviks [that were the problem]."

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A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much fear or respect. Also, Tangerine Dream was typically asked to deliver a monochromatic kind of score, the electronic-analog trademark sound that TD had become famous for following landmark films such as Sorcerer [Universal, 1977], Thief [MGM, 1981], and Risky Business [Warner Brothers, 1983].

— Paul Haslinger