"The whole reason for Jazz at the Philharmonic was to take it to places where I could break down segregation."

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Honestly, it's the luck of the draw. If you are comfortable with the actor that you're opposite of - it just breaks down a lot of those insecurities and you can just say, "Okay, I trust this person, and I respect them and know they respect me," and then you can just go with it. When that doesn't exist, it's a lot harder to let go.

— James Wolk