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— Ottessa Moshfegh"The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination."
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The issue is that when you're a critic it's hard to tell the difference between the thrill of denouncing and telling the truth. Telling the truth to me feels more often like denouncing than like praising. There are many more concrete advantages in the world for people who praise than for those who denounce. So if you want to tell the truth, oftentimes you're going to err on the side of denouncing. That's just something I have to work on.
— Dan Chiasson
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Joseph Conrad and Heart of Darkness loom huge in my development as a writer. I think I'm always trying to write Heart of Darkness - trying to explode an abstraction in concrete terms, although I am aware that Conrad's story has a bit of baggage that I'd rather avoid in my work.
— Sabina Murray
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