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— Pauline Kael"If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago."
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The Pink Panther wasn't shown to the press for reasons that soon became apparent when I saw it at a public performance. Two people (20 per cent of the audience) laughed; one was Chinese, the other, whom I couldn't see, might have been an escaped hyena. This laughless francophobic comedy stars its co-scriptwriter, Steve Martin, in what is, by my reckoning, his eighth lousy remake since 1989.
— Philip French
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Critics are giving marks for originality, acting, photography and scripting, while mass audiences are more drawn to familiarity of genre, stars they would like to have sex with or plots that are more likely to make their dates have sex with them. Reviewers are doing their day's work, cinema-goers are escaping from theirs: this leads to an inevitable difference of response. It is, though, wrong to conclude that reviewers are completely useless. Books, movies and shows may be critic-proof, but the egos and psyches of the people who make them very rarely are.
— Mark Lawson
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