"There's such a deep, conservative feeling in 'The way Back.' You go, 'gosh, we've gotten narrow.' So at the moment I think there's a kind of tension, and it's gold rush fever."

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I try to make the set as relaxed and fun and stress-free as humanly possible, while still having control over things. It's usually tension that hurts a performance or makes it seem self-conscious.

— Terry Zwigoff