"I always try to appreciate the most fleeting moments. The idea of the acrobats constantly tumbling and trying to adjust - I think that is what we do with aesthetics. It is a cyclical rhythm"

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It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.

— Jerry Saltz