"I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that."

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The magnificent lobby of the Chrysler Building - faced with rare marbles, aglitter with decorative metalwork, and surmounted by a ceiling painted with a totemic image of the tower itself - leads to elevator cabs inlaid with exotic woods in fanciful patterns. The entire route from street to office is invested with ceremony, dignity, and delight.

— Martin Filler