"I wanted to write a book that showed how the subjectification of the "the murderer" has changed little in over a hundred years, and to argue that this "exceptional figure" serves a conservative function in modern culture that bears closer interrogation than it has commonly received."

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I argue, based on metaphysical and physical considerations, that we should think of the fundamental parts of the world as a mix of intrinsic natures, rather like a paint-pot filled with a rainbow of colors, loosely mixed to give a richly varied, spatiotemporally inseparable, spread of qualities, and that this mixture is what gives rise to ordinary reality.

— L.A. Paul