"You might not think a hippo could inspire terror. Screaming “Hippo!” doesn’t have the same impact as screaming “Shark!” But I’m telling you—as the Egyptian Queen careened to one side, its paddle wheel lifting completely out of the water, and I saw that monster emerge from the deep, I nearly discovered the hieroglyphs for accident in my pants."

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The feat of superbly imitating a muscle, as Michelangelo did, or a face, as Raphael did, created neither progress nor a hierarchy in art. Because these artists of the sixteenth century imitated human forms, they were not superior to the artists of the high periods of Egyptian, Chaldean, Indochinese, Roman, and Gothic art who interpreted and stylized form but did not imitate it.

— Fernand Leger