"I would say my relationship with my father has had a bigger impact on me than I knew. Even with the things that I love, the things that I am attracted to. A lot of it stems from the things that I've seen in my life as a child."

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This idea of the body as a feast, it stems from Giuseppe Arcimboldo, moves to Viennese artists like Günter Brus, and then you have Salvador Dalí of course, then much later, Marina Abramović and Ulay, with their nude series in Italy. It's an ongoing conversation. There was nothing cruel about Méret's Oppenheim piece.

— Rebecca Horn