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— Ron Rosenbaum"The Voice did not consider itself a conventional magazine. It took me awhile to realize that it was named The Voice for a reason. They wanted voices. At the time, good magazine stories were still believed to be written in the third person based on the false belief they were more objective. Of course some conventional stories require third person, but in the really interesting stories - the ones I got do to at The Voice and Esquire - were about subjectivity, subjectivities."
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Trans voices are really underrepresented, and trans stories are really underrepresented, and when they are presented, they're often reductive. I was interested in putting a trans person and a trans narrative on stage that didn't fall into cliché, that thought a bit more deeply about the experience of being trans, and how those issues tie into things that we all experience. How we tell the story of our lives, versus what might have actually happened, and how we communicate to our former selves. All of those questions were really interesting to me.
— Ellie Kendrick
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What makes autocorrect really interesting for a lexicographer is we read in a very weird way. A lot of times we'll catch things that are so clearly autocorrect typos, and you learn to tell the difference between an honest-to-goodness, ham-fisted typo and an autocorrect typo because the latter will not necessarily be a difference of one letter apart on the keyboard, which is usually what typos are, or it won't be the wrong its or the wrong there.
— Kory Stamper
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