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— Sabina Murray"I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer."
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There were people who voted for Obama simply because he was the first African-American. We had a lot of people that would not have voted for Obama but who did because they really hoped that the nation, making the statement electing an African-American president, would prove once and for all that this is not a racist nation. I believe that there were all kinds of people that voted for Obama with that hope. That was the reason. Everything else was irrelevant to them.
— Rush Limbaugh
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Housing in New York seemed to fit Norman Lear. In addition, his shows confronted all kinds of social issues - racial separation and prejudice being foremost among them. The Evans of Good Times were the first black family to be the focus of a primetime American TV show. A lot of the people we came across in filming were familiar with the role Norman played in catalyzing important national conversations about race. They seemed grateful to him for trying to move the needle.
— Solly Granatstein
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