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— Samuel Pepys"Poorpeoplestaying intheir houses aslong astill thevery fire touched them, and then running into boats or clambering from one pair of stair by the waterside to another. And among other things, the poor pigeons I perceive were loath to leave their houses, but hovered about the windows and balconies till they were some of them burned, their wings, and fell down."
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I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.
— Quindon Tarver
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The switch had two settings. You could either turn it to AUTO, in which case the awning lowered itself whenever the sun came out, or you could set it to MANUEL [sic], in which case, we assumed, a small, incompetent Spanish waiter came and did it for you.
— Douglas Adams
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