"We see people voting for bills that their ideals and principles are opposed to, but because their little funding project is in there, they're voting for it. We might say it's one percent of all spending but the impact of that spending is far greater."

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Generally risk-averse, specialist translation imprints have also hollowed out a fairly comfortable niche for themselves: they get ninety percent of the profits for ten percent of the work, often largely funding their operations - and their salaries - through grants that they don't even apply for. If it wasn't for publicly-funded arts bodies and organizations such as PEN, I wouldn't have been able to work on either [Abdellatif] Laâbi or [ Rashid ] Boudjedra.

— Andre Naffis-Sahely