"I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again."

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The sand swallows burst out of their scupper holes in the bluffs and out over the transparent drown of the water, back again to the white, to the brown, to the black, from moving to stock-still sand waves and water-worked woods and roots that hugged and twisted in the sun.

— Saul Bellow