"When you know your cast well and their strengths and weaknesses, you can start writing for them, just the way Shakespeare wrote for his actors."

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I assume the senses crave sources of maximum information, that the eye benefits by exercise, stretch, and expansion towards materials of complexity and substance, . . . conditions which alert the total sensibility - cast it almost in stress - extend insight and response, the basic responsive range of empathetic-kinesthetic vitality.

— Carolee Schneemann