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— Tiffani Thiessen"I don't think the entertainment business in general will ever just be okay with how people are. I think we're in a business that critiques everything we do, and you kind of just take it with a grain of salt. I look at my grandmother, and I think she's aged beautifully, so I hope that I could be a smidgen of how she's aged. There's nothing you can do. All you can do is take of yourself and do the things that make you feel good and make you healthy and age appropriately, but there's always going to be people out there are going to say something, and there's nothing you can do about it."
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Artists have their existential questions as human beings, and they address these questions in their works. But they are also thinking in a broader sense when they participate in a social and political debate through their works. Often the most important voices of artists in the political and the social debate are focused on originality in their works. We can see this in historical pieces, like "Guernica" by Picasso. "Guernica" was an extremely important manifestation and critique against war, but it was important and powerful because it was also an incredibly original and powerful work of art.
— Gunnar Kvaran
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Tom Hart, David Lasky, Ed Brubaker, Megan Kelso, Julie Doucet. These people lived comics. The people in Seattle got together every week to draw and critique each other's work. Outside of art school, I never did that. When I came back from that trip, I had a physical, palpable sense of being self-conscious. It was the first time I'd drawn where I was like, "Holy cow, people are going to read this. They're going to like it, or they might not like it. Maybe I really should make my drawings a little more solid, or really think about what I'm doing. Maybe this shouldn't be so sloppy."
— John Porcellino
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