"Look at all the drug busts all over the country. There must be an audience there somewhere. My feeling is that if we're losing the war on drugs, let's do a movie for the enemy."

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There should be a name for this, for the process whereby one knows one is being yanked and concedes it has been done successfully - that one is grateful to have been spun. In the theater, it is called the willing suspension of disbelief. That's what allows the play to make an impact on the audience: they have to be able to make believe that what's happening on the stage is really happening. Maybe to a degree it is a requirement for all political participation, all effective political communication, too.

— Peggy Noonan