"I think the Yamaha has a giant quality. When you combine the Yamaha with other organs, you get this crazy rectangular sound. It's kind of flat and thick."

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There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces.

— Rei Kawakubo