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— Vijay Iyer"In the 1990s I got to play in a group that played in prisons in California. We would play in maximum security wards. It was infuriating. Those kinds of situations stick with me. We got to come in and play music for them because that's a way of caring, just offering something, a gift, basically. They're basically the most grateful audiences I've ever experienced, because nobody's giving them anything."
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I find myself skeptical of music that forces you to have a certain experience, emotional reaction, or specific constructive arc of experience. But performers should still take care of that, to a certain extent - how does it add up? What you want from performance, because we're all in a room together, is that somehow we've gotten somewhere at the end, together. You could call that a sense of narrative, but it's not so obvious how that happens. One way it happens is by everyone caring about it happening.
— Vijay Iyer
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Historically, girls have not been encouraged to be scientists, to be explorers, and there's a social kind of constraint, of course. Having the responsibility, a disproportionate part of the responsibility, for caring for families, caring for children. I know this challenge from firsthand experience because I have three children and four grandsons.And some of the time I have spent as a scientist and as an explorer has meant choosing to not be with my children and grandchildren as much as I might otherwise have done had I not been a scientist, an explorer.
— Sylvia Earle
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