"The whole concept of having something really in-your-face that you're forced to listen to is beautiful because I think music should be an event and not something that's just dismissed."

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Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.

— Elia Kazan