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— Zia Haider Rahman"I am at my happiest when I'm problem solving and a large part of writing is for me a lovely labor in problem solving. Every act of discovery in writing involves a process of figuring out why I'm not seeing what I need to see. Niggling feelings, discomforts, a sense that you've forgotten or overlooked something, a sudden curiosity about what if here? - these are priceless. They are the bases of problems and lead the way."
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It's a different thing with cable TV. You don't have to have your characters be lovely again by the end of the episode. And in this era of the male antiheroes on cable TV, you don't even need to make them likable; you just need to make them compelling. As opposed to film, where it's still those basic tropes of good versus evil. But for women, I don't think that has been widely seen yet.
— Lizzy Caplan
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I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.
— Amy Sillman
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