I Moved On Quotes

My musical taste has always been wide. I started out as a folky before I moved on to blues and soul.

Life is short and the nights are long, and tonight I moved on.

When I felt that fame - people were nosing me out - well, I moved on. I used traveling names; wigs if necessary.

Girls you've gotta know when it's time to turn the page.

I moved on from the whole 'Playboy' thing five years ago and really never looked back. I'm not one of those girls who goes back to all the parties and things.

In order to move on, you must understand why you felt what you did and why you no longer need to feel it.

I was a drinker, so I went through the scotches. Before single malts hit, there were really cheap scotches, because nobody was paying attention to them. Then by the time they started jacking those prices up, I moved on to vodka.

I moved on to the University of California, Berkley, coordinating interpreters for Deaf students at the university. The first year I was at Berkley, we brought in artists, performers, actors, and poets to create a Deaf arts festival. I did a lot of the interpreting for the stage performers. By the second year, I realized that I really liked producing arts festivals that had to do something with signing.

I first came to cinema as a passionate filmgoer, when I was a child. Then, when I was a very young man, I became a film critic precisely because of my knowledge of cinema. I did better than others because of this. Then I moved on to screenwriting. I wrote a film with Sergio Leone, 'Once Upon a Time in the West.' And then I moved to directing.

Competition is great for everyone. Sports can teach you so much at an early age, including camaraderie and sportsmanship. Competition aspect is something I've always been big on - I always wanted to compete in something. It was swimming for many years, then I moved on to basketball. I had to find a way to channel my competitive energy, so I'm lucky that basketball worked out for me.

I grew up listening to Patsy Klein, Reba Mcentire and would study their voices. But once I became bored with that, I moved on to more contemporary stuff like Sheryl Crow and I combined everything that I had learned from country and rock and made this CD.

I, you know, am all over the place — every category of pictures I have made, good, bad or indifferent. I could not make, like Hitchcock did, one Hitchcock picture after another. … I wanted to do a Hitchcock picture, so I did `Witness for the Prosecution,’ then I was bored with it, so I moved on.

I was still young when I missed Beijing. I was favourite to win a medal but I knew I had time. My coach advised me to stay at school and finish my exams. Even if I had gone and won the Olympics, I might not have handled the pressure. So I moved on.

I used to think that nails-down-a-chalkboard was the worst sound in the world. Then I moved on to people-eating-cereal-on-the-phone. But only this week did I stumble across the rightful winner: it's the sound of a baggage carousel coming to a grinding halt, having reunited every passenger on your flight with their luggage, except for you.

Even as a child I was fascinated by death, not in a spiritual sense, but in an aesthetic one. A hamster or guinea pig would pass away, and, after burying the body, I'd dig it back up: over and over, until all that remained was a shoddy pelt. It earned me a certain reputation, especially when I moved on to other people's pets. "Igor," they called me. "Wicked, spooky." But I think my interest was actually fairly common, at least among adolescent boys. At that age, death is something that happens only to animals and grandparents, and studying it is like a science project.

Faith doesn't mean that you don't have doubts.