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Marty [Scorsese] knows that when an improvised moment comes out of a real situation, it's gonna have more life and more going on than anything you can imagine and that's how the character can become the story
Sep 17, 2025
My Mother set me on the right track, Marty Robbins made me want to write songs, and Jesus Christ did the rest.
I'm a big Marty Robbins fan. I love Marty Robbins. Of course, everybody does. That's not such a big shock.
You get kicked around long enough, you become a professor of pain.
Ma, sooner or later there comes a point in a man's life when he's gotta face some facts. And one fact I've got to face is whateverit is women like, I ain't got it.
Marty Robbins once sang you give me a mountain, I've been given a few mountains in my life
I've grown up well, partly because there weren't great girls' literature - Nancy Drew, maybe - but there weren't things. So there was Huck Finn and "Spin And Marty." The boys characters were interesting and you lived through them when you're watching it.
I was kind of a little disappointed when they started building a competition between Marty (Martin Scorsese) and me. I have the greatest respect for him and all the films he's done over the years.
I know who I am. And after all these years, there's a victory in that.
I don't see this as Marty [St. Louis] replacing me. I see this as Marty getting the opportunity he deserves.
I hate categories. Hank Williams is a great artist, period. Bob Dylan is a great artist, so is Marty Robbins. They just classify these people and put them in categories so they can sell the thing easier.
Growing up knowing that I wanted to be a sportscaster and knowing that the best school in the country was right in my back yard, I certainly knew all there was to know about Marty Glickman and about people like Bob Costas and Marv Albert and all of the other greats that have passed through there.
I was raised with "Laurel and Hardy" and "I Love Lucy" and Jerry Lewis, and I just loved it. And I had a friend in high school and we would just laugh all day and put on skits. You know, it's the Andy Kaufman thing or the Marty Short thing where you're performing in your bedroom for yourself.
I'm sure that in 1985, plutonium is available in every corner drugstore, but in 1955, it's a little hard to come by.
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact with works hadn't arrived on the scene yet. That, I think, I first ran into at the Freer Gallery in Washington, D.C., where a man named Marty [Martin] Amt decided that he really felt his job - part of his job, as an assistant [to the] director was to make the collection available to interested people.
More of that hair-raising energy rolled out of Vlad, until I was rubbing my arms to chase the tingling sensations away. Was this what Marty meant when he told me vampires could measure each others’ strength by feeling their auras? If so, then Vlad’s had Badass: Do Not Engage written all over it.
I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
Marty Richards is an angel on Earth. A producer that does what he says he'll do. He helped me greatly.
My agent at the time, Mike Medavoy, before he became a movie mogul, called me up and said, how about a movie with you and Peter Boyle and Marty Feldman? And I said, well, what makes you think of that? He said because I now handle you and Peter Marty.
Nothing will ever replace the feeling I got when Jesse Orosco struck out Marty Barrett to end the game (Game 7 of the 1986 World Series) and I got the opportunity to run out into his arms. To me, that was the greatest accomplishment. Without a doubt, that was my biggest thrill.
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