Next Play Quotes

There are a lot of actors who wish there was a next play, a next musical. As an actor, I guess that's all I can wish for - the next role, the next opportunity.

When something goes wrong, smile, cause there's always a next play.

My life feels, week to week, incomplete to the level of being pointless if I am not in preparation for the next play or, ideally, into it.

It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.

You’ve got to worry about the next play…Keep believing because people aren’t always going to like you but you have to believe in the people around you…You’re going to get knocked down but it’s how many times you get back up.

Have you seen Frances?” He tilted his head to the right. “I believe she’s off rooting about in the bushes.” Anne followed his gaze uneasily. “Rooting?” “She told me she was practicing for the next play.” Anne blinked at him, not following. “For when she gets to be a unicorn.” “Oh, of course.” She chuckled. “She is rather tenacious, that one.

They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.

Liberated souls are a rare commodity in this world. They are no better; it's just you, a little later, in the next act or in the next play.

What about me?” Frances asked. “The butler,” Harriet replied without even a second of hesitation. Frances’s mouth immediately opened to protest. “No, no,” Harriet said. “It’s the best role, I promise. You get to do everything.” “Except be a unicorn,” Daniel murmured. Frances tilted her head to the side with a resigned expression. “The next play,” Harriet finally gave in. “I shall find a way to include a unicorn in the one I’m working on right now.” Frances pumped both fists in the air. “Huzzah!

When things are going awry, it's time to put the blinders on and do your job. Just do your job. Don't worry about the other guy, don't worry about the wins and losses, just worry about what the very next play is.

For me, on every project, I realize that I've boxed myself into a corner, or that the play necessitates some sort of theatrical convention that I realize I hate while I'm making it. So then the next play is always a rebellion. Or like, the thing I didn't even realize I was doing last time I will make sure I don't do this time. But there's always some other blind spot. And then that blind spot inspires the play that comes after.

Losing doesn't eat at me the way it used to. I just get ready for the next play, the next game, the next season.

Whether youre a quarterback and you just threw a pick, or youre a corner and you just got beat for a touchdown, youve got to have a short-term memory, shake it off and play the next play.

The psychological detective story in "Equus" made Peter Shaffer's name as a playwright. But it was his next play, "Amadeus," that cemented his reputation, largely because of the movie version. Another battle of wills, it was the story of composer Wolfgang Amadeus Mozart seen through the eyes of lesser composer Antonio Salieri.