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I don't think about relatability (when writing), I think about the heart of the character.
Sep 16, 2025
Maybe that's the way I'm private - I respect the privacy of "my" characters? Anyway, we're getting close to the whole "relatability" and "likability" thing.
But to demand that a work be “relatable” expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual's solipsism.
I feel like I can always do better with action and I always want to push the envelope there as long as I can because I'm a physical person and I love expressing myself physically, but I'm also, on the very flipside, an extremely emotional person. I like watching the relationships and the chemistry and the relatability.
The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom, and the next wave isn't a reaction to the reality of that, you start losing relatability. In a lot of romantic comedies, they throw out the rules of life.
The great appeal of film is its relatability.
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