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It is only when an actor feels that his inner and outer life on the stage is flowing naturally and normally, in the circumstances that surround him, that the deeper sources of his subconscious gently open, and from them come feelings we cannot always analyse.
Sep 10, 2025
I love going to plays. There's a subconscious side to it, obviously-some people like to be spanked for XYZ psychological reasons, and I like to go to plays, and I can't entirely explain why.
I can't help believing that these things that come from the subconscious mind have a sort of truth to them. It may not be a scientific truth, but it's psychological truth.
What is The Subconscious to every other man, in its creative aspect becomes, for writers, The Muse.
Our subconscious works in metaphors, stories, and word play. That's why a particular story or movie may mean more to some people than to others. Have you considered why you quest for this tale now?
I think a lot of things do influence me, but the influence mechanism is as such that these things dive into your brain and bury themselves into your subconscious and you're never quite sure where and how they're going to emerge. I don't think I really take direct influence.
Machinery is the subconscious mind of the world.
Whether the object of your faith is real or false, you will get results. Your subconscious mind responds to the thought in your mind. Look upon faith as a thought in your mind and that will suffice.
Usually, I think it's best to play the song for them once and have them mix it up on the spot, because when the logical mind gets too involved, I think it kills a lot of magic. I just think the subconscious mind is so much smarter, and unfortunately, people do not trust their subconscious. A lot of people just don't access to all of that, the secret genius that's inside of them. And it's so much easier to get it out of a musician if you don't give them a chance to overthink.
I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.
It’s because your subconscious finds my subconscious irresistible.
The good part of writing is where it gets out of your control and turns into something else. You look at it and think "Whoa, where did that come from? That wasn't what I meant to write, but it's more interesting than what I was intending. Which part of my subconscious or my experience did that come from?" Often the answer isn't clear, and often the line between fiction and fact isn't clear, either.
So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect. But these are things for the psychologist to untangle.
Hunches [are] just messages from the subconscious, which [is] thinking furiously all the time and processing information we have not consciously noted.
The worst of pushing horrible things down into one's subconscious is that when they pop up again they are as fresh as if they had been in a refrigerator. You haven't allowed time to get at them to-to mould them over a little.
Insofar as she recognized at all that she was dreaming, she realized that she must be exploring her subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was really clear what the other nine tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
You cultivate the subconscious by meditation, by sitting in silence and by not trying to control your thoughts. Then go someplace where you haven't been before, or go for a walk, a run, and look for signs of grace-an epiphany, something that comes to you.
I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music. If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away. There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.
Right before I decided to come out, I went on a spiritual retreat called 'Changing the Inner Dialogue of Your Subconscious Mind.' I'd never been to anything like it before, and all my friends were taking bets on how long I'd last with no TV, no radio, no phone. But for me that was the beginning of paying attention to all the little things.
I didn't set out to write a book with no real male characters, but men were not important to my narrator, who was much more interested in maternal and pseudo-maternal love, so they were unimportant to me. I didn't even notice the lack of men in the story until I finished it. But once I did notice it, I was kind of delighted. Apparently, my subconscious is totally sexist.
The life of the nation is shot through with a certain falseness and hypocrisy, which are all the more tragic because they are so often subconscious rather than deliberate ... The soul of the people is putrescent, and until that becomes regenerate and clean, no good work can be done.
You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious.
I used to write in bed, starting when I woke up. I believe that creative work comes from our subconscious mind, so I try to keep the gap between sleep and writing as minimal as possible.
Take a report. It's dry, the sentences are clunky and unfelicitous, they're just conveying information. But it seems to me that if you're fully engaged in a great piece of literature, once you enter the rhythms of the language, which is a kind of music, meanings are being conveyed that you're not fully aware of. They enter into your subconscious.
Civilization has imposed countless restrictions and conventions on each of us, with the result that the subconscious in the majority of us has become a storage room without a key. We are forced to suppress or forget so many events and ideas and thoughts that those to which we should have access are lost in the welter. However, there are people who seem capable of unlocking this part of their minds and extracting relevant information.
A prejudice may be an unreasoned judgment, he [Hibben] pointed out, but an unreasoned judgment is not necessarily an illogical judgment. ... First, there are those judgments whose verification has simply dropped out of memory. ... The second type of unreasoned judgments we hold is the opinions we adopt from others ... The third class of judgments in Professor Hibben's list comprises those which have subconscious origin. The material that furnishes their support does not reach the focal point of consciousness, but psychology insists upon its existence.
If society is to progress on a truly humanistic basis, without being subject to mental epidemics and virulent social diseases to which the subconscious falls an easy victim, the personal consciousness of every individual should be cultivated to the highest degree possible.
I want to be connecting with the subconscious, if I can call it that, because there are not to many words to describe the real deep inner part of a human beingI want to be at that place where everything is blotted out and where creativity happens, and to get there I practice, you know I'm a prolific practicer, I still practice every dayYou have to have the skills, then you want to not think when you're playing, that's when you let whatever deep level of creativity, spirituality, I mean, you know these words are so inadequate these days but you want to get to this place where they exist.
The subconscious part in us is called the subjective mind, because it does not decide and command. It is subject rather than a ruler. Its nature is to do what it is told, or what really in your heart of hearts you desire.
So it's the unwinding of your nervous system. The corresponding experience to what winds you up comes out in your dreams. To write a song then, even one like Don't Bother Me, helps to get rid of some subconscious burden. Writing a song is like going to confession.
Writing is a lot like making soup. My subconscious cooks the idea, but I have to sit down at the computer to pour it out.
I get inspiration, a lot of times, from very commonplace things that just strike a chord and develop themselves in the subconscious.
Awareness, even at a subconscious level, beats fancy checklists without it, track or you will fail.
Sometimes I observe with curiosity that uninterrupted activity which, independent of the subject of any conversation I may be carrying on, continues its course in that department of my brain that is devoted to music.
I think people are born bisexual and the make subconscious choices based on the pressures of society. I have no question in my mind about being bisexual. But I'm also a hypocrite: I would never date a girl who is bisexual, because that means they also sleep with men, and men are so dirty that I'd never sleep with a girl who had slept with a man.
When you're open to something it's like being a beacon, and you attract it. From the first time I heard the chanting Hare Krishna, it was like a door opened somewhere in my subconscious, maybe from some previous life.
I picked such seemingly disparate essays, I thought it was important to say what was the guiding principle in the selection rather than focus on any one essay. I reached for some principle that had been subconscious in me and lifted it into consciousness. Authenticity and sincerity were the most important unifying principles of all these apparently different essays.
If our subconscious was attractive, we wouldn't have to bury it down deep within us.
I dream a lot. I do more painting when I'm not painting. It's in the subconscious.
Book ideas are like planes, lined up to approach the runway. Some never leave the gate, but others move quickly to the front of the line. It was like that with The Four Purposes. Honestly, I cannot remember the moment I had the idea for the book; perhaps because it emerged like a green shoot emerging from the soil of my subconscious. But it seemed important enough to begin the flow of words that eventually shaped themselves into this new book.
I really appreciate the way you don't appreciate me, said my subconscious as I agreed to go out with her yet again.
It is true that the subliminal in man is the largest part of his nature and has in it the secret of the unseeen dynamisms which explain his surface activities. But the lower vital subconscious which is all that this psycho-analysis of Freud seems to know, - and of that it knows only a few ill-lit corners, - is no more than a restricted and very inferior portion of the subliminal whole... to begin by opening up the lower subconscious, risking to raise up all that is foul or obscure in it, is to go out of one's way to invite trouble.
The first thing to remember is the dual nature of your mind. The subconscious mind is constantly amenable to the power of suggestion; furthermore the subconscious mind has complete control of the functions, conditions, and sensations of your body. Trust the subconscious mind to heal you. It made your body, and it knows all of its processes and functions. It knows much more than your conscious mind about healing and restoring you to perfect balance.
I find that when I have any appointment, even an afternoon one, it changes the whole quality of time. I feel overcharged. There is no space for what wells up from the subconscious; those dreams and images live in deep still water and simply submerge when the day gets scattered.
The science of systematics has long been affected by profound philosophical preconceptions, which have been all the more influential for being usually covert, even subconscious.
Simple perception then is a fallacy. Besides the conscious prejudices that we are aware of imposing on the world, there are a thousand subconscious prejudices that we assume to be actuality.
Contrology (Pilates) is complete coordination of body, mind, and spirit. Through Contrology you first purposefully acquire complete control of your own body and then through proper repetition of its exercises you gradually and progressively acquire that natural rhythm and coordination associated with all your subconscious activities.
It is psychological law that whatever we desire to accomplish we must impress upon the subjective or subconscious mind.
Any thought that is passed on to the subconscious often enough and convincingly enough is finally accepted.
Most important... develop your technical ability. You are handicapped if you do not develop well enough to hold the subconscious process so as not to have problems of inexperienced painters.