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— Alain de Botton"Rather than teasing the buyers, we may blame the society in which they lived for setting up a situation where the purchase of ornate cabinets felt psychologically necessary and rewarding, where respect was dependent on baroque displays. Rather than a tale of greed, the history of luxury could more accurately be read as a record of emotional trauma. It is the legacy of those who have felt pressured by the disdain of others to add an extraordinary amount to their bare selves in order to signal that they too may lay a claim to love."
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The Humbling is not vintage Roth, despite its compelling premise. The bizarre series of episodes -- mostly sexual encounters with women -- which make up this short novel don't play to Roth's strengths. (...) The Humbling disappoints because it avoids these universal implications, and veers off into a baroque world of the unique and fantastic, never quite deigning to make its world concrete or to give its characters the honour of an independent will.
— Philip Hensher
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Whenever the C++ language designers had two competing ideas as to how they should solve some problem, they said, "OK, we'll do them both". So the language is too baroque for my taste.
— Donald Knuth
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