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— Bridget Riley"The eye can travel over the surface in a way parallel to the way it moves over nature. It should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment, there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events."
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Do you remember the church across the sands? You stood outside and planned to travel the lands, where the pilgrims go. So you packed your world up inside a canvas sack, set off down the highway with your rings and Kerouac. Someone said they saw you in Nepal a long time back. Tell me why you look away, don't you have a word to say?
— Al Stewart
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I couldn’t get near what I wanted through seeing, recognizing and recreating, so I stood the problem on its head. I started studying squares, rectangles, triangles and the sensations they give rise to It is untrue that my work depends on any literary impulse or has any illustrative intention. The marks on the canvas are sole and essential agents in a series of relationships which form the structure of the painting.
— Bridget Riley
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