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The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
Sep 10, 2025
The future remains uncertain and so it should, for it is the canvas upon which we paint our desires. Thus always the human condition faces a beautifully empty canvas. We possess only this moment in which to dedicate ourselves continuously to the sacred presence which we share and create.
Make your lives a masterpiece, you only get one canvas.
An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
I think... it is somehow very useful, and maybe even essential, for a fine artist to have to somehow make his peace on the canvas with all the things he cannot do. That is what attracts us to serious paintings, I think: that shortfall, which we might call 'personality,' or maybe even 'pain.'
The measure of a man comes down to moments, spread out like dots of pain on the canvas on life. Everything you were, everything you'll someday be, resides in the small, seemingly ordinary choices of everyday life.....Each decision seems as insignificant as a left turn on an unfamiliar road when you have no destination in mind. But the decisions accumulate until you realize one day that they've made you the man that you are.
Bill Evans is a real serious jazz pianist who, in my book, crossed over boundaries in terms of color. He used the piano as his canvas.
I've never found anything to be lacking in a blurry canvas. Quite the contrary: you can see many more things in it than in a sharply focused image. A landscape painted with exactness forces you to see a determined number of clearly differentiated trees, while in a blurry canvas you can perceive as many trees as you want. The painting is more open.
I don't think my work is so much about opening up wounds. I think it's about understanding the nature of the wound. I'm not bleeding on the canvas. I, like most people, have suffered traumatic events. The character of a person's life is determined by the way they deal with those events. I am a creative person and I deal with it creatively.
History is a great painter, with the world for canvas, and life for a figure. It exhibits man in his pride, and nature in her magnificence,--Jerusalem bleeding under the Roman, or Lisbon vanishing in flame and earthquake. History must be splendid. Bacon called it the pomp of business. Its march is in high places, and along the pinnacles and points of great affairs.
But deepest of all illusory Appearances, for hiding Wonder, as for many other ends, are your two grand fundamental world-enveloping Appearances, SPACE and TIME. These, as spun and woven for us from before Birth itself, to clothe our celestial ME for dwelling here, and yet to blind it, lie all-embracing, as the universal canvas, or warp and woof, whereby all minor Illusions, in this Phantasm Existence, weave and paint themselves. In vain, while here on Earth, shall you endeavor to strip them off; you can, at best, but rend them asunder for moments, and look through.
I think one of the both liberating and terrifying prospects from synthetic biology for example is that you are going to have all of these do it yourself biosynthetic labs where people are going to be playing with the software of life. We are going to have a new generation of artists that are going to be playing with genomes the way that Blake and Byron used to play with poetry. And when genomes are the new canvas for the artist, we might be able to radically upgrade the human species and the software of the biology of the human species.
You loved a man with more hands than a parade of beggars, and here you stand. Heart like a four-poster bed. Heart like a canvas. Heart leaking something so strong they can smell it in the street.”
One of my favorite beauty products is Vincent Longo Water Canvas creamy blush. I have it in every color and I've been using it for 5 years and that's all I put on when I leave the house. It looks so natural I just put a little bit on my cheeks to give them some color.
Imagine a master painting that's never finished...when you can only build on previous work, you become limited by what you can paint...If you are in the midst of painting a forest full of tall tress and hanging vines, it is rather difficult to wake up the next day and suddenly turn that paining into the beach and ocean...We have to treat each day like a black canvas on which we can paint. Yesterday might have been paining flowers, but today you can paint cars or horses. A new day represents a chance for renewal.
You visualize yourself as the person you want to be. You strive to make the ideal in your mind become a reality on the canvas of Time.
I'm going to get down to a still life on a size 50 canvas of rayfish and dogfish with old fishermen's baskets. Then I'm going to turn out a few pictures to send wherever possible, given that now, first and foremost - unfortunately - I have to earn some money.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
She always imagined that evil played out on a large canvas- wars, concentration camps, gas chambers, the partitioning of nations. Now she realized that evil had a domestic side, and its very banality protected it from exposure.
Praise a fool, and slay him; for the canvas of his vanity is spread; His bark is shallow in the water, and a sudden gust shall sink it: Praise a wise man, and speed him on his way; for he carrieth the ballast of humility, And is glad when his course is cheered by the sympathy of brethren ashore.
The beauty of science fiction is its open canvas. You can hypothesize about any element of the world. It doesn't have to be laser battles and things exploding, you can be JG Ballad and maybe just change one little thing about the real world and that becomes science fiction.
On the contrary, my desire is that the viewer sees the background coming forward in the lower portion of the canvas, fighting for space, demanding presence.
The scenery of mountains painted on the ever-changing azure canvas of the sky, the mysterious mechanism of the human body, the rose, the green grass carpet, the magnanimity of souls, the loftiness of minds, the depth of love - all these things remind us of a God who is beautiful and noble.
You know... that a blank wall is an apalling thing to look at... The wall of a museum - a canvas - a piece of film - or a guy sitting in front of a typewriter. Then, you start out to do something - that vague thing called creation. The beginning strikes awe within you.
The Metropolitan Museum of Art some time ago held a display of contemporary art at which $52,000 was awarded to American sculptors, painters, and artists in allied fields. The award for the best painting went to the canvas of an Illinois artist. It was described as "a macabre, detailed work showing a closed door bearing a funeral wreath." Equally striking was the work's title: "That which I should have done, I did not do."
When I was in art college, I would be painting, and I would create something on a canvas that was actually quite attractive. But if I got frightened and tried to protect that, that canvas would die.
Think of a fine painter attempting to capture an inner vision, beginning with one corner of the canvas, painting what she thinks should be there, not quite pulling it off, covering it over with white paint, and trying again, each time finding out what her painting isn't, until she finally finds out what it is. And when you finally do find out what one corner of your vision is; you're off and running.
The genius of Man in our time has gone into jet-propulsion, atom-splitting, penicillin-curing, etc. There is none left over for works of imagination; of spiritual insight or mystical enlightenment.
I tried different techniques during my career, but I especially fell in love with painting with oil and pallette-knife. Every artwork is the result of long painting process; every canvas is born during the creative search; every painting is full of my inner world.
My skin is my canvas. The artwork on it represents something that is very powerful and meaningful in my life. I look at my skin as something of a living diary because all my tattoos represent a time in my life. And I never wish to shut the door on the past, so I carry it all with me.
It takes time and devotion to learn the language of color and lighting in the garden. Your tastes are sure to change over time, reflecting your inner evolution. Seeing the garden as a canvas for your celebration of Nature's palette is a wonderful expression of the soul's love of beauty and artistry. Your own inner intuition, however, is often your best teacher, but don't forget that Mother Nature will always have a few surprises up Her sleeve as well.
I say that whoever claims to have finished a canvas is terribly arrogant.
Used to be that my whole body was my canvas-hot cuts licking my ribs, ladder rungs climbing my arms, thick milkweed stalks shooting up my thighs.
Ah, to build, to build! That is the noblest art of all the arts. Painting and sculpture are but images, Are merely shadows cast by outward things On stone or canvas, having in themselves No separate existence. Architecture, Existing in itself, and not in seeming A something it is not, surpasses them As substance shadow.
Music is the application of sounds to the canvas of silence.
There is always, in the fine arts, a physical interface between the artist's esthetic vision and the material result he seeks. The interface may be the application of brush to canvas, chisel to marble, bow to string... It may be the control of voice in song or the control of body in dance. It is the mastery of the interface that comprises the artistry; it is what constitutes the 'art' in fine art.
Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
I see for others... in order to put on canvas the sudden apparitions which come to me.
Maybe I can put it another way... Life, Charlie Brown, is like a deck chair." "Like a what?" "Have you ever been on a cruise ship? Passengers open up these canvas deck chairs so they can sit in the sun... Some people place their chairs facing the rear of the ship so they can see where they've been... Other people face their chairs forward... They want to see where they're going! On the cruise ship of life, Charlie Brown, which way is your deck chair facing?" "I've never been able to get one unfolded.
I didn't have a perfect model, but I wanted to try to blend my own personal reflections and experiences with this broader canvas to see how a lot of the narratives we have about economy and foreign policy got stuck. Because we have these categories of liberal, conservative, free marketer, open government - all these stereotypes about our politics and the categories we try to put things in are inadequate to this sort of complex, ambiguous, sometimes contradictory experience we have as ordinary people and that I have as an elected official.
The individual representation of the object, treated sympathetically or antipathetically, is highly necessary and is an enrichment to the world in form. The elimination of the human relationship causes the vacuum which makes all of us suffer in various degrees - an individual alteration of the details of the object represented is necessary in order to display on the canvas the whole physicals reality.
Oh, popular applause! what heart of man Is proof against thy sweet seducing charms? The wisest and the best feel urgent need Of all their caution in thy gentlest gales; But swell'd into a gust--who then, alas! With all his canvas set, and inexpert, And therefore, heedless, can withstand thy power?
For the first time in his life, he stopped worrying about results, and as a consequence the terms “success” and “failure” had suddenly lost their meaning for him. The true purpose of art was not to create beautiful objects, he discovered. It was a method of understanding, a way of penetrating the world and finding one’s place in it, and whatever aesthetic qualities an individual canvas might have were almost an incidental by-product of the effort to engage oneself in this struggle, to enter into the thick of things.
The big moment came when it was decided to paint...Just To Paint. The gesture on the canvas was a gesture of liberation, from Value- political, aesthetic, moral.
It is often during the worst of times that we see the best of humanity–awakening within the most ordinary of us that which is most sublime. I do not believe that it is circumstance that produces such greatness any more than it is the canvas that makes the artist. Adversity merely presents the surface on which we render our souls’ most exacting likeness. It is in the darkest skies that stars are best seen.
Once you know the reason why - you've defined your white space of canvas on which you can paint and create a new concept idea. No matter how creative you are - and thus how much creative space you need - there's always some fundamental values and drivers your brand should seek to address - in order to become successful.
Cover the canvas at the first go, then work at it until you see nothing more to add.
When a sculptor creates a sculpture, a writer writes a novel, or a painter paints a motif on a canvas, he needs talent and expertise. But to be successful in his endeavor, he also needs to have the passionate feeling that he wants, at all costs, to create a work of art which, in his head, constantly demands to be accomplished. The same also applies to developing board games or card games.
Oh, talk as we may of beauty as a thing to be chiselled from marble or wrought out on canvas, speculate as we may upon its colors and outlines, what is it but an intellectual abstraction, after all? The heart feels a beauty of another kind; looking through the outward environment, it discovers a deeper and more real love-liness.
With a stroke of love on the canvas of my soul I'm painting a perfect world with shades of Michelangelo With each promise made in every heart that knows we can live in a perfect world in shades of Michelangelo I hear songs of children echo in the sky I hear songs of children a tomorrow so bright!