"It may be said of many palaeontologists, as Professor Hugh Trevor-Roper said recently of 18th century historians: "Their most serious error was to measure the past by the present"."

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I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.

— Tom Tykwer