"But one of the hardest things for me to do was to access anger. I could do it on stage. But when I did it on film it was hard for me. That probably has to do with the intimacy of film. And my own personal issues with expressing anger. So I had to learn how to do that."

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The children themselves, before they get access to a car, are captives of their suburb, save for those families where the housewives surrender continuity in their own lives to chauffeur their children to lessons, doctors, and other services that could be reached via public transport in the city.

— David Riesman