"To express dynamic motion through a static moment became for me limited and unsatisfactory. The basic idea was to liberate myself from this old concept and arrive at an image in which the spectator could feel the beauty of a fourth dimension, which lies much more between moments than within a moment. In music one remembers never one tone, but a melody, a theme, a movement. In dance, never a moment, but again the beauty of a movement in time and space."

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Immediately upon the fall, the mind of man shrank from its primitive greatness and expandedness, to an exceeding smallness and contractedness... Before, his soul was under the government of the noble principles of divine love, whereby it was enlarged to the comprehensiveness of all his fellow creatures and their welfare... [But] sin, like some powerful astringent, contracted his soul to the very small dimensions of selfishness, and God was forsaken, and man retired within himself, and became totally governed by narrow and selfish principles and feelings.

— Jonathan Edwards