Theme Quotes

The major and almost only theme of all my work is the struggle of man with "God": the unyielding, inextinguishable struggle of the naked worm called "man" against the terrifying power and darkness of the forces within him and around him.

I concentrate on character, theme, language, structure, voice. It actually surprises me that no matter what I write, people declare it "intently political." I'm just writing about the world I know, as it is. Wounds and griefs included.

People need routines. It's like a theme in music. But it also restrictsyour thoughts and actions and limits your freedom. It structures your priorities and in some cases distorts your logic.

I'm happy to talk in general themes, but when we get down to specifics about my family, for me that's always been off-limits.

This theme of bigness — all painters and sculptors have dealt with it ever since.

I was praying about what I needed to teach. I felt it wasn't time to move out of the theme of Romans, which is salvation by grace through faith.

New earths, new themes expect us.

I think audiences can deal with these mature themes.

While it's true that some writers, when taking on love and war, find the task too big, or only succeed in one but not the other, Mengestu tracks both themes with authority and feeling.

I realized that if I wanted to truly talk about vastness and the sublime and scale and the West - recurrent themes in my overall work - I needed to engage with the vast ocean that is Los Angeles.

Thinking should be like musical meditation. Has any philosopher pursued a thought to its limits the way Bach or Beethoven develop and exhaust a musical theme? Even after having read the most profound thinkers, one still feels the need to begin anew. Only music gives definitive answers.

I don't want to deal with big, grand themes in my stories; art has nothing to do with themes. When you deal with themes, you are not creating; you are lecturing.

Human life is fiction's only theme.

We the Living is not a novel 'about Soviet Russia.' It is a novel about Man against the State. Its basic theme is the sanctity of human life - using the word 'sanctity' not in a mystical sense, but in the sense of 'supreme value.'

Trying to cope with the balance between home life and road life has been a theme in my music since early Red House Painters records.

It is very much the theme of our President, President Thabo Mbeki, whose passion is for Africa to work together, and for Africans to get up and do things for us. We are trying as women to do things for ourselves.

We take it for granted that Jesus was not interested in political life: his mission was purely religious. Indeed we have witnessed . . . the 'iconization' of the life of Jesus: 'This is a Jesus of hieratic, stereotyped gestures, all representing theological themes. In this way, the life of Jesus is no longer a human life, submerged in history, but a theological life -- an icon.

The problem of the female body is not something that I've studied, but my memoir does treat that theme.

It seems to me that one thing people do over and over again is try to figure out how to get married, stay married, fall in love, how to rekindle all this stuff. It seems to me to be a pretty eternal theme so I don't know if you can get typecast from making movies about men relating to women. It seems to be what is going on on the planet a lot.

It is as true for the writer as for the reader that any novel worth its ink should be an experience first and foremost—not an essay, not a statement, not an orderly rollout of themes and propositions. All of which is to say: stories, too, are wild things.

It is hard for me to speak of themes. I like the reader to do that. Otherwise it feels like writing a 3rd grade essay on someone else's work.

We like to have a point of view in our stories, not an obvious moral, but a worthwhile theme. ... All we are trying to do is give the public good entertainment. That is all they want.

There are patterns which emerge in one's life, circling and returning anew, an endless variation of a theme

Everyone needs a theme song! It should make you feel like a million dollars.

Though energy and inspiration diminish, experience grows - the theme of parents and kids, for instance.

To hold silence and to be silenced are two very different experiences. And so another theme emerges, that of light and shadow. When we share our voice, who benefits? When we withhold, who benefits? And what are the consequences and costs of both?

Man's deliberate destruction of his own habitat -- planet Earth -- could serve as a mighty theme for a mighty book worthy of a modern Melville or Tolstoy. But our best fictioneers confine themselves to domestic drama -- soap opera with literary trimmings.

My themes are derived from current events, from familiar situations, from daily life, because I never actively intervene against the object, I can feel the magic of its presence.

This gentleman has taken on the very fashionable theme of fighting corruption and I say again: In order to fight corruption you have to be crystal clear yourself. But there are problems here, and in this regard I unfortunately have a suspicion that this is just a way of getting votes and not a genuine desire to solve the problem.

There is a sort of myth of History that philosophers have.... History for philosophers is some sort of great, vast continuity in which the freedom of individuals and economic or social determinations come and get entangled. When someone lays a finger on one of those great themes--continuity, the effective exercise of human liberty, how individual liberty is articulated with social determinations--when someone touches one of these three myths, these good people start crying out that History is being raped or murdered.

One of the consistent themes you'll find throughout the Bible is that God will always provide the necessary information about Jesus Christ to someone who sincerely desires to receive that revelation.

By the way of connecting with subject, with theme, I was able to find a kind of lifeline. Writing's like a lifeline. You have to get the right way in. Otherwise the material just lies there, and you can't do anything with it.

Working on the themes I was interested in, through the context of a particular family, was a very economical way of dealing with a lot of the issues I was concerned with.

A library in the middle of a community is a cross between an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold, rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen, instead.

Reviewer: 'One of your themes was very similar to one of Beethoven's!' Brahms replied, 'Of course it is. Everyone steals - the important thing is to do it brilliantly.

The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.

Have an objective to give your bender a theme. For instance, stalking and killing a wild pig with a bowie knife.

A novel must work as a story because no one's going to get to the other themes if you don't entertain the reader. But I like to have another layer of meaning, although you can read the book on one level and not bother with that other layer.

It would be a mistake to overstate the similarities between the Brexit vote and Trump's win - but there are common themes, not least in the rallying cries that the winning campaigns used. They focused on a supposed economic threat posed by outsiders, as immigrants or as trade partners. This fuelling of anxieties underpinned a narrative centered on the need to "regain control," whether of borders or of economic forces.

I see some recurring themes: things that feel threaded together, some symbolic references, and songs about some of the big questions, like death. There are a lot of references to weather, too!

Somehow, women's romance novels are not titled He Stopped When I Said "No". They are, though, titled Sweet Savage Love, in which the woman rejects the hand of her gentler lover who saves her from the rapist and marries the man who repeatedly and savagely rapes her. It is this "marry the rapist" theme that not only turned Sweet Savage Love into a best-seller but also into one of women's most enduring romance novels.

Three characteristics a work of fiction must possess in order to be successful: 1. It must have a precise and suspenseful plot. 2. The author must feel a passionate urge to write it. 3. He must have the conviction, or at least the illusion, that he is the only one who can handle this particular theme.

Ironically, my rabbi was a bar mitzvah Nazi. So I got bar mitzvahed. And though I didn't want to, the theme of my bar mitzvah party was Madonna.

When I celebrated my bar mitzvah, there was no cake. Today, there is no such thing as a bar mitzvah in the United States without a special cake. It can be even more complicated and expensive than a wedding cake, because bar-mitzvah cakes are often based on a particular theme.

I tried to think about these two issues very freely. With sex, I think I can manage with that. With death, this is a more difficult theme for me. I'm not a believer, even though I'm baptized. I don't practice. I don't believe in God, so I feel very alone facing death. What I discovered is that the only way to recognize death is if you are part of life, if you are part of sexual pleasure, if you link it with sexual pleasure.

Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.

Whether to the average person, applying contemporary community standards, the dominant theme of the material taken as a whole appeals to prurient interest.

The theme of the dance was "Great Romances," or some such nonsense. There were projections of supposedly great couples from the past on the walls of the gym. Romeo and Juliet, Antony and Cleopatra, Hermione and Ron, Bonnie and Clyde, etc.

If I have learned one thing from life, it is that race is the engine that drives the political Left. When all else fails, that segment of America goes to the default position of using race to achieve its objectives. In the courtrooms, on college campuses, and, most especially, in our politics, race is a central theme. Where it does not naturally rise to the surface, there are those who will manufacture and amplify it.

The AIDS epidemic has rolled back a big rotting log and revealed all the squirming life underneath it, since it involves, all at once, the main themes of our existence: sex, death, power, money, love, hate, disease and panic. No American phenomenon has been so compelling since the Vietnam War.