"The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pinault Collection in Venice and the director of the [Centre] Pompidou said, "Did you make big collages like this in the '60s?" I said yes, so he came to the studio and said, "Let's make an exhibition in the Pompidou.""

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They [Throne; legacy costumes] are made out of foam latex, which is basically what prosthetic makeup is made out of. So it's very delicate and very fragile. And then you put the electronics in there and you have a whole other level of fragility. So we had many suits and sometimes we would have to change out at lunchtime and send the other one to the "suit-hospital." It was like a surgery centre.

— Christine Bieselin Clark