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Really the truth is just a plain picture. A plain picture of, let's say, a tramp vomiting in the sewere. You know, and next door to the picture Mr. Rockefeller or Mr. C. W. Jones on the subway going to work. You know, any kind of picture. Just make a collage of pictures.
Sep 30, 2025
I do very, very, very simple, skimpy doodles, nothing too committed. Because people tend to fall in love if they like it - if you color it in and they like it, then they want exactly those colors, even if they were just indications. You really have to do it as simple as possible so they can concentrate on the idea and composition. And then all of the energy goes into making the final piece. And the final piece can be anything - it can be a drawing, a painting, a collage - and usually, it's obvious what that should be. Usually, the idea dictates what medium you use.
All my paintings are usually done in drawing form, very small. I make notations in drawings first, and then I make a collage for color. But drawing is always my notation.
My writing is consistently influenced by everything I watched and listened to growing up, so it's just this crazy collage of everything.
Rapid-collage prevents any elevating movement toward a fixed goal. To 'be nowhere' is to let oneself be.
When I became tired of oil painting at one stage, I used collage and this proved to be influential in the design and composition of my later works.
My stuff is generally quite collage-y anyway. So it's sort-of suited to gathering raw materials like shooting actors, then making stills or animating characters, then just bringing them all together in a 3D space. That process is very close to my 2D work anyway.
The best V-Day gift I've ever received was a personalized photo collage.
All writing is in fact cut-ups. A collage of words read heard overheard. What else?
I got really excited about finding new ways of using video, and the immediacy is different, in a way, than painting and photography. The creativity comes with the editing. You can layer and cut and paste. I really love that it's like another form of making my smaller collages but in video form.
If I take that person and play them as a record I'm becoming not only a conductor and composer of collage, but at the same time I'm looking at a whole layer of what goes into copyright law, who owns those memories, who owns the way that that sound gets remixed and transformed and above all how much fun it is to actually just mess with other people's stuff.
Whether you're aware of it or not, any kind of collage idea becomes a part of how you see the world once you incorporate media and internet and video games and all these things.
While guns rumbled in the distance, we sang, painted, made collages and wrote poems with all our might. We were seeking an art based on fundamentals, to cure the madness of the age, and find a new order of things that would restore the balance between heaven and hell.
I say that I can't make anything up. I think of myself as a collage artist. I'm cutting and pasting memories of my life. And I say, I have to live a life in order to tell a life. I would prefer to tell it because telling you're always in control, you're like God.
I've worked with collage a lot. And there's this chance thing that happens - you don't always control things. Why did you find this today and not this? But you've got this thing, and you make it work. It's the way life is, I suppose. Whatever happens, you deal with it.
Anyone who’s ever put a stamp on an envelope or a note on their refrigerator knows what it’s like to make a collage. There’s no esoteric technique.
Now the culture is made of old things, it's a collage. Art made out of art is not art. You're supposed to make art out of life.
In the grand collage that is Dada, past and future are equally usable.
Directing is like putting together a collage.
If we want to make meaning, we need to make art. Cook, write, draw, doodle, paint, scrapbook, take pictures, collage, knit, rebuild an engine, sculpt, dance, decorate, act, sing - it doesn't matter. As long as we're creating, we're cultivating meaning.
For a painter as abstract as myself, the collages offer a way of incorporating bits of the everyday world into pictures.
It's the first time that I've ever had an art show based on a film, but it's a photography collage.
Peter used to say that an artist’s job is to make order out of chaos. You collect details, look for a pattern, and organize. You make sense out of senseless facts. You puzzle together bits of everything. You shuffle and reorganize. Collage. Montage. Assemble.
Sometimes a collage element I hit upon can inspire the entire drawing.
The photo collage is a way to travel that must be used with skill and precision if we are to arrive... The collage as a flexible hieroglyph language of juxtaposition: A collage makes a statement.
Collage is more than just an art style. Collage is all about bringing different elements together. Once you form a sensibility about connection, how different elements relate to each other, you deepen your understanding of yourself and others.
I make collages. I join the shattered world creating a new harmony.
Collage is like a hall of mirrors. Every direction you look, you see something different and visually stimulating.
Collage is a demonstration of the many becoming the one, with the one never fully resolved because of the many that continue to impinge upon it.
Collage is the twentieth century's greatest innovation
I think people who sample are cheating. It is like people who do collages. Use all of your own stuff.
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
I liked to scrapbook and collage a whole lot in high school. Im always ripping things out of magazines, and always collecting quotes from the Internet. When I was 17, I loved AIM. I was obsessed with my buddy list!
When you talking about funk music you just talking about a collage of a lot of different types of music. They used strings, they had brass, they had vocalist.
Our right hemisphere, it thinks in pictures and it learns kinesthetically through the movement of our bodies. Information ... explodes into this enormous collage of what this present moment looks like, smells like and tastes like, what it feels like and what it sounds like.
Here I am, the artist, the person, the black woman, and the stereotype. I'm using myself and it has nothing to do with my muses or other women. It has to do with me. You see parts of my body moving, very collage like, flashing, and not speaking, just laying on a couch, looking out at the viewer.
I've got pages and pages of snippets of stuff, and if Max [Hershenow] sends me a track to write to I'll go through all the stuff and the initial reaction of gut and how it makes me feel and I'll sort of go from there and start pulling my favourite pieces of my lyrics and that will be a very literal word collage and from there I'll sculpt it for and whatever reason the song sort of presents itself. It's a bizarre process.
Television is becoming a collage - there are so many channels that you move through them making a collage yourself. In that sense, everyone sees something a bit different.
Aomori Water is a sound collage piece made in 1998, in Aomori Japan. I was in a residency with other artists. A Japanese sculptor was making a round house and wanted a sound piece to play in it. I recorded some very gentle waves lapping the beach, for the first part. And a very small mountain stream, flowing, for the second part. I layered 8 tracks. This was the first work that I did in ProTools.
I'm being given a little bit of credit now as being a viable collage artist, which some people think is ridiculous. Like this guy who said, "Wait a minute: You had an art show where you just cut out pictures and then glued them back together?" And I said, "Yeah, that's pretty much what it is." There's more to it than that. It's about having the eye for detail, moving things from one environment and reassembling them into new environments....Everyone can do it, but not everyone can do it well.
The book is openly a kind of spiritual autobiography, but the trick is that on any other level it's a kind of insane collage of fragments of memory.
The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
On every Bright Eyes record, there's some kind of sound collage that begins it. Some of them have dialogue, some don't. I like it because it can kind of slow down the attention span a bit. It's a way to draw you in to the rest of the record.
Collage has been one of the most relevant forms of art making. It's resonant because it is made of the stuff that we see every day. It's familiar. It reflects our reality.
Cynie Cory roams the outer reaches of the heart’s territory, from the snowy winter of family life to the tropical jungles of love. She wears her heart on her sleeve and it is as big as the country she writes about. Is she the quintessential American girl? You bet she is, part Annie Oakley, part Emily Dickinson—sharpshooting poet of wild nights. She zooms in on the detritus of love—the broken fragments, the fallen leaves—and puts together a collage that is as heartbreaking as it is beautiful. Watch out—she’s driving down your street.
We had always used found sound, but we had always used it in an analogue way. And it was the early days of using collage and sound in a digital way. MTV, a couple of years later would be that way.
The idea was to take fine art and put it into the location of the movie scripts. The script itself is collage - some of the lines come from actual movies and I've written others to make the text work with the found image. In this way, the details of old dead guys' paintings (from the collection of the Städel Museum in Frankfurt, where this work will be exhibited in relation to the historical paintings) become illustrations of the movie scripts. I found this mélange of high art and Hollywood amusing.
It's always helpful to look outside of the web for your inspiration, to places where you might not at first expect to find a solution. The world is a collage of inspiration, from newspapers, magazine publishing, and advertising to product design, architecture and the fine arts.
We occupy a space of our own creation-a collage compounded by bits and pieces of actuality arranged into a design determined by our internal perceptions, our hopes, our fears, our memories, and our anticipations.
Learn more about yourself! Make a self-esteem collage using pictures of other people you wish you were.