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— Gary Shteyngart"In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?"
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The plain fact is that there are no conclusions. If we must state a conclusion, it would be that many of the former conclusions of the nineteenth-century science on philosophical questions are once again in the melting-pot.
— James Jeans
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The Ripe FigNow that You live here in my chest,anywhere we sit is a mountaintop.And those other images,which have enchanted peoplelike porcelain dolls from China,which have made men and women weepfor centuries, even those have changed now.What used to be pain is a lovely benchwhere we can rest under the roses.A left hand has become a right.A dark wall, a window.A cushion in a shoe heel,the leader of the community!Now silence. What we sayis poison to someand nourishing to others.What we say is a ripe fig,but not every bird that flieseats figs.
— Rumi
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