Love Story Quotes

I go around with my books so much and I love to perform on stage, to remind everybody that the lights are off, the phones are off, and for this hour, it's going to be like your mother reading to you. We're going to remember why we love stories. I think that gets lost in over-intellectualizing.

A real love story has to finish bad. That is what I think.

People love stories. They need stories.

I love stories about teachers. For some reason I can't get enough of those kind of stories. If I turn a movie on about a teacher, I love it. I love that idea of an adult influence on kids.

Casebook is my attempt at a love story. I had a vision of a difficult love.

I love story songs because I've always loved books.

Do you want this to be a love story?

I've produced and gotten to do a lot of optimistic love stories, and that was so where I was at for 10 years in my life. And now I feel like, Okay, now I know how to do that. I want to get scared again; I want to feel the way I felt when I started my company, when I started producing.

I'll picture Rat Kiley face, his grief, and I'll think, You dumb cooze. Because she wasn't listening. It wasn't a war story. It was a love story.

The problem with most love stories in my opinion is that they're too simplistic.

The street and me is a love story. 1971 is a great date because, finally, fashion took to the street.

A yokel mind loves stories from of old, Being the kind it can repeat and hold.

I love stories about misfits and underdogs.

I am, at the end of the day, a guy who loves story.

My favorite movies are love stories.

"The Notebook" is one of my favorite love stories.

In this world that we live in we have originality in literature, but we also have TV and movies. I write love stories. I could never write a love story based on the Titanic - that was never a novel. If I see an idea that's been done in film, I try to avoid that.

Sherlock and Watson are a love story

My favorite movie is Closer and Love Story.

almost all novels are love stories.

You want a love story too? There's none to be had.

The love story for me was the nature of the love and not the age of the lovers.

All my films are love stories.

You have to just look at it like Titanic: I know the ship sinks, but this is a love story

Count on Jill Shalvis for a witty, steamy, unputdownable love story.

Love stories are probably all Ive ever been able to write or want to write.

I love stories and acting is a way to tell stories. Everyone assumes I've done it my whole life.

We are the protagonists of our love story, not the spectators.

We are innately creative beings capable of writing a love story worth living, and we cannot afford to miss out on the opportunity to experience nourishing relationships.

I wanted to make a love story without being nerdy.

I think above all else [The Social Network] is a love story. And something of a tragic one, I suppose.

The weirdest love stories are always the best.

You have the capacity to change the plot line of your life, even if you've been acting from the same script since before you can remember. No matter what has happened up to this point, you have the right and the capacity to be happy. You are an innately creative being, capable of writing a love story worth living.

They've never written a love story for me since I've been on the show and I think there's just more weight to it when two people love each other.

Your own love story? Your paramour may have had lovers before you. But no one has ever loved him the way you do. No one has ever heard music. Not the way you hear it. The songs are beautiful vampires, asleep in your iPod, coming alive at night, aglow. You can have them on your hours, yours to conduct. Music shapes us and we shape it.

Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes.

Ouch! And Marino goes down quicker than his Boonesfarm-infused sister in the back of my '68 Cutlass on our first date after watching 'Love Story' at the drive-in.

I want to turn my attention to movies about love relationships. Exploring the female psyche - there ought to be some interesting discoveries there. Love stories. If you do it right, people want to hear romantic dialog.

Nobody with any real sense of humor *can* write a love story. . . . Shakespeare is the exception that proves the rule. (90-91)

The young are in great danger. Much evil results from their light and trifling reading. Much time is lost which should be spent in useful employment. Some would even deprive themselves of sleep that they might finish some ridiculous love story.

I wrote, I think, half a dozen films that were completely out of genre. Comedies, love stories, even one serious film about Vietnam, and we couldn't get backing for any of it. And we both sort of drifted from making, at that time, serious money on Last House to going through it all in the course of almost three years and only getting offers to do something scary again.

When television killed comedy and love stories, the movie makers went in slugging. They offered the downbeat, the degenerate as competition. This seems to me to be a sad campaign for Hollywood to use to combat box office disaster.

The White Mansion isn't boring, lass. Never boring. It's the grand demesne the Unseelie King built for his concubine. It's a living, breathing love story, testament to the brightest passion that ever burned between our races. You can follow the scenes through if you've time enough and are willing to risk getting lost for a few centuries.

But no matter what love throws at you, you have to believe in it. You have ot believe in love stories and prince charmings and happily ever after. That's why I write these songs. Because I think love is FEARLESS.

I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.

Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should.

Lovers don't finally meet somewhere. They're in each other all along.

The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don't finally meet somewhere. They're in each other all along.

You should be kissed and by someone who knows how.

Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.