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— Ian Mcewan"What I've discovered and really confirmed to myself is that opera really likes loud colours, and you need something bold, something savage, unpredictable, passionate. You can't really run a two-hour opera round some muted murmuring."
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In Paris, everybody is in black! But you know, in Ukraine everyone wears bright colours.
— Olga Kurylenko
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You start way down on a low B flat on the tuba and you have a chromatic scale; you can match the colours all the way up, till you get to the top of the trumpet.
— Gerry Mulligan
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