Opera Quotes

I could hire every producer in Hollywood - 2,000 producers, let's say - and they couldn't come up with all the soap operas, in season and out of season, that NFL programming gives television.

Everyone in my family is an artist. Both my parents are painters and my mom's an opera singer. I was never shown any other way to process life.

Order in a house ought to be like the machinery in opera, whose effect produces great pleasure, but whose ends must be hid.

Prima Donna is my kind of love song to opera but it's not the full experience.

I regard the people as a great being, inspired by a single idea. This is my problem. I strove to solve it in this opera.

Soap opera rappers, all these niggas sound like 'All My Children'.

It's a fundamental, social attitude that the 1% supports symphonies and operas and doesn't support Johnny learning to program hip-hop beats. When I put it like that, it sounds like, 'Well, yeah,' but you start to think, 'Why not, though?' What makes one more valuable than another?

I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.

In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film.

I liked your opera. I think I will set it to music.

In opera tradition, when opera die-hard fans, there is a replacement of singer or singer wasn't at his or hers vocal best, doing something, they boo. Especially now that they pay hundreds of dollars for the ticket.

I knew it, I just knew it! The person who had the job of writing my life's dialogue used to work on a very low budget soap opera.

Man's deliberate destruction of his own habitat -- planet Earth -- could serve as a mighty theme for a mighty book worthy of a modern Melville or Tolstoy. But our best fictioneers confine themselves to domestic drama -- soap opera with literary trimmings.

My parents were opera singers and voice teachers, so growing up, I admired musicians and dancers.

Very few opera singers in history have been able to cross into popular music.

Britten's opera tends to see things in simpler terms. It portrays an Aschenbach who wants a richer form of sexual fulfillment, and who is hemmed in by the social conventions to which he subscribes. But Visconti's use of the Mahler Adagietto is perfect for what I take to be Aschenbach's sexual desire.

Much later in life, though, Gracie made a major contribution to the opera world. She stayed out of it.

There's no rational reason why opera should exist. It's expensive, time consuming. Yet in some shape or other it has always existed.

Im just a normal person. Its not like I come home and think about opera. My thoughts are about completely other things. Shoes! Dresses! Expensive ones: with a pretty silhouette, beautiful fabrics.

I always wanted to be a comedian. I loved comedy since I was a little kid, and while I was at university I started doing stand up shows. Once I realized that I was good at it I quit college and left although I had six months left. I went to England. I could have done the last six months but I realized that I was better at standup comedy than I was at singing opera.

As I read Mann in German for the first time, the full achievement - both literary and philosophical - of Death in Venice struck me forcefully, so that, when I was invited to give the Schoff Lectures at Columbia, the opportunity to reflect on the contrasts between novella and opera seemed irresistible.

During the 1970s and 1980s, the popular television soap opera As The World Turns portrayed sunrise during the opening credits and sunset during the closing credits... The soap-opera sunrise showed the sun moving toward the left as it rose rather than to the right. They obviously had gotten a piece of film showing a sunset and played it in reverse... Had they called their local astrophysicists, any one of us might have recommended that if they needed to save money, they could have shown the sunset in a mirror before they showed it running backward.

I guess I've done a lot of different kinds of performing at various times - opera singing, poetry reading, not least high school teaching - and I do enjoy it, at least sometimes. But I find it incredibly anxiety-producing and exhausting. Privacy is more congenial, and I go a little crazy if I can't spend a big chunk of every day, or almost every day, alone. Certainly I have to be alone to write.

I'm completely happy not having children. I mean, everybody does not have to live in the same way. And as somebody said, "Everybody with a womb doesn't have to have a child any more than everybody with vocal cords has to be an opera singer."

Until the Eighties, Oslo was a rather boring town, but it's changed a lot, and is now much more cosmopolitan. If I go downtown, I visit the harbour to see the tall ships and the ferries, and to admire the modern architecture such as the Opera House or the new Astrup Fearnley Museum on the water's edge.

The first rule in opera is the first rule in life: see to everything yourself

I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.

I'm Opera Singer. I can sing Brecht, Weil.

One good thing about a good book or a good film, or maybe even a song, I'm not a musician but I love to listen to music, is the range that each piece is able to give you. Like 'Bohemian Rhapsody' by Queen, 1975, that song is so epic. It goes in so many different places, it's and opera and it is heavy metal, and it's so crazy as it goes every which way. I kind of like films like that.

Growing up, for years and years I had no idea what the plots of operas were, and that's part of what fascinated me - I could make them up and learn bits and pieces of what was going on over time. There's something about it being always a step away that makes it more fun to chase.

Watching people just look out for themselves, I think, is extremely interesting. It goes right back to something like 'The Beggar's Opera' - the underbelly of society, how it operates, and how that reflects their so-called betters.

The kingdom of God is a crash-bang opera: the king is dramatic, demanding, and unavoidable.

In how many lives does love really play a dominant part? The average taxpayer is no more capable of the grand passion than of a grand opera.

Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.

Dumb luck brought on the move from business to acting. I had moved to New York when I was 23, in the year 2000. On a lark, I went to audition for a soap opera.

Opera stars know that biology is destiny. Sometime in their 50s or early 60s, the powerful, flexible and ultimately mysterious instrument that has been the source of their artistry frays, cracks and disappears.

Theatre can transform a child's life, just as an early cultural experience whether with opera, ballet, music or art is a wonderful thing because it opens the door to a life-long experience, a life-long enjoyment.

Grand opera is the most powerful of stage appeals and that almost entirely through the beauty of music.

Ayn Rand called her novella Anthem a "hymn to man's ego." My approach to Anthem the play was to provide the story a further dimension through music and sound. The work is now larger than a hymn. It's really "spoken opera."

The opera tells the story with all the built-in contradictions and from many different angles.

My interest in women's voices started when I was in the boys' choir and we were singing in opera choruses. That was my first close-up experience with the female soprano voice. I was amazed at how it could be within the same scale but so different in quality.

I have always believed that opera is a planet where the muses work together, join hands and celebrate all the arts.

I was 11 when a teacher suggested to my parents that they should send me to drama classes to curb my disruptive ways in the classroom. The next Saturday I was acting, and thereafter it became a ritual of my youth to see a show at the Belvoir on Sundays and, if I was lucky, another at the Opera House on Monday after school.

Growing up female in America. What a liability! You grew up with your ears full of cosmetic ads, love songs, advice columns, whoreoscopes, Hollywood gossip, and moral dilemmas on the level of TV soap operas. What litanies the advertisers of the good life chanted at you! What curious catechisms!

We are riveted by the soap operas of public lives. We admire the famous most for what makes them infamous: it reassures us that they are not better and no happier than all the people with their noses pressed hard against the glass.

I used to pride myself on being impervious to the sentimentalities of soap opera, but when that loveliest of actresses, Rachel Gurney, of Upstairs, Downstairs, perished on the Titanic, I wept so convulsively and developed such anorexia that I had to be force-fed.

Baseball is the slow creation of something beautiful. It is the almost boringly paced accumulation of what seems slight or incidental into an opera of bracing suspense. The game will threaten never to end, until suddenly it forces you to marvel at how it came to be where it is and to wonder at how far it might go. It’s the drowsy metamorphosis of the dull into the indescribable.

Disgrace is a subtle, multi-layered story, as much concerned with politics as it is with the itch of male flesh. Coetzee's prose is chaste and lyrical without being self- conscious: it is a relief to encounter writing as quietly stylish as this. I was not totally convinced by Lurie's musical abilities, with regard to his proposed opera, but that is my sole complaint.

I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.