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— Kurt Yaeger"Being behind the camera you have control; you have the ability to make decisions for characters, for where the story line's going to go, how you want to put it out there, how you want to edit it. Acting is like where you paint on the canvas, and being behind the camera is like being either the paint or the paintbrush. They're both a part of the creative process, it's just that they have two different functions."
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Art deals with profound and simple moods. Let us suppose that the artist - in this instance (the artist) Picabia - gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it. He will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it.
— Filippo Tommaso Marinetti
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If we paint the phases of a riot, the crowd bustling with uplifted fists and the noisy onslaughts of cavalry are translated upon the canvas in sheaves of lines corresponding with all the conflicting forces, following the general laws of violence of the picture... These force-lines must encircle and involve the spectator so that he will in a manner be forced to struggle himself with the persons in the picture.
— Umberto Boccioni
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