"Having viewed Europe as an extension and projection of itself, France now finds Europe developing a mind and identity of its own which embraces France but is not controlled by France."

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In her dance, she controlled the bright paper birds with invisible wires and threads. She played the human: heavy, tied to earth. Her dances weren't pretty or delightful, but they were magical, [...] They called her a dancer and a puppeteer and an artist. They might have called her a witch, and not the good kind either.

— Katherine Catmull