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Having two identities for yourself is an example of a lack of integrity.
Sep 10, 2025
I think something for us that we're always interested in is how people interpret the music or the band for themselves, and that sort of level of interactivity for us specifically is really awesome, but I can imagine for some bands the ability to make your sound and make your identity known could be challenging.
The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.
When you're in your twenties, it's the last time you have the chance to experiment with multiple identities, to decide who you're going to be in life.
Politics is based on social identity, and so, again, there is going to be differences between rural and urban and between left and right.
Identity is not inherent. It is shaped by circumstance and sensitivity and resistance to self-pity.
When the Christian loses himself, he finds himself, he discovers his true identity.
Iranians defend and present their Islamic and Iranian identity to other people worldwide.
An un-named song is like an un-named child, it has no identity.
People fear their hidden selves, afraid that they will burst out.
Try to imagine a man setting out for the day without a single prejudice. ... Inevitably he would be in a state of paralysis. He could not get up in the morning, or choose his necktie, or make his way to the office, ... or, to come right down to the essence of the thing, even maintain his identity.
I'm constantly seen as a 'foreigner,' and I need my passport to prove my identity, to keep moving and to carry on my work.
The Buddha would not have liked people to call themselves Buddhist. To him that would have been a fundamental error because there are no fixed identities. He would have thought that someone calling himself a Buddhist has too much invested in calling himself a Buddhist.
I'm often asked the same question: What in your work comes from your own culture? As if I have a recipe and I can actually isolate the Arab ingredient, the woman ingredient, the Palestinian ingredient. People often expect tidy definitions of otherness, as if identity is something fixed and easily definable.
Young people, who are still uncertain of their identity, often try on a succession of masks in the hope of finding the one which suits them - the one, in fact, which is not a mask.
You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.
Efficiency obliterates identity
Your identity is being formed whether you understand it or not, whether you are cooperating or not. Something is being formed all the time, either through your response or your non-response. All your circumstances are to establish something. If you don't respond to them properly, then you establish something that you don't really want to be known for.
Cultures are made of continuities and changes, and the identity of a society can survive through these changes. Societies without change aren't authentic; they're just dead
I went through some tough times because if you're used to having a voice in contemporary culture and all of sudden, you don't have that voice, you don't have that outlet. I didn't appreciate that. I didn't understand how important that was to me. And all of a sudden, after investing all this time and energy, I had no identity. I didn't know who I was. I didn't know what I had to say. I didn't have a way to say it. It was very painful.
We need to have profound compassion for the people who are dealing with the very real issue of sexual dysfunction in their life, and sexual identity disorders. This is a very real issue. It's not funny, it's sad. Any of you who have members of your family that are in the lifestyle-we have a member of our family that is. This is not funny. It's a very sad life. It's part of Satan, I think, to say this is gay. It's anything but gay.
I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned?
Community cannot take root in a divided life. Long before community assumes external shape and form, it must be present as seed in the undivided self: only as we are in communion with ourselves can we find community with others. Community is an outward and visible sign of an inward and invisible grace, the flowing of personal identity and integrity into the world of relationships.
[Rumi] is trying to get us to feel the vastness of our true identity... like the sense you might get walking into a cathedral.
We have the tools, the intellect, the will to create a caring global culture. It isn't going to come without a recognition of the power of the psychedelic experience. The psychedelic experience is the birth right of every human being on the planet. It is as much a basic part of each and every one of us as our sexuality, our national identity, our consciousness of self. And any society which attempts to hold back or impede this dimension of self-expression, when the history of that society is written, it will be called barbarous.
I suppose I have a highly developed capacity for self-delusion, so it's no problem for me to believe that I'm somebody else.
It's very important for a brand to have an identity through the years, but it's very important as well to evolve because times change so fast.
I'm not Jack Nicholson. I'm not Brando. But I do mumble.
It's quite extraordinary that a recourse (branding/identity) which is generally regarded as so significant, and is now so ubiquitous, is so little understood.
The question of boundaries is a major question of the Jewish people because the Jews are the great experts of crossing boundaries. They have a sense of identity inside themselves that doesn't permit them to cross boundaries with other people.
The way to respect all the people I love is to eat the music, have it in my blood and bones, and try to explore it in as much different ways as possible to create my own identity.
Those who know don't talk. Those who talk don't know. Close your mouth, block off your senses, blunt your sharpness, untie your knots, soften your glare, settle your dust. This is the primal identity. Be like the Tao. It can't be approached or withdrawn from, benefited or harmed, honored or brought into disgrace. It gives itself up continually. That is why it endures.
When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of our black people culture, and it's the name of our identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls. To me, that's the biggest problem.
I think today that's a very big problem because of the world we live in and the social media and everything... everybody is obsessed with their own identity, but seen through other people.
Human beings are distinguished by a capacity for experience as well as by their behavior, and homosexuality is as much a matter ofemotion as of genital manipulation.... As we each examine our own sense of identity we realize how much more complex is the question of homosexuality than a mere Kinsey-like computation of orgasms.
If we choose an external marker as the measure of our inner worth, whether it is the amount of money we make, or others' opinion of us, or the success of some project we're involved in, sooner or later we're bound to be battered by life's inevitable changes. After all, money comes and goes, and thus is an unstable source of self-esteem, an unreliable foundation upon which to build our identity.
When established identities become outworn or unfinished ones threaten to remain incomplete, special crises compel men to wage holy wars, by the cruelest means, against those who seem to question or threaten their unsafe ideological bases.
That's the great thing about being in a band: it's a gang for people who are too wimpy to fight. You can create a gang and have an identity and fight for something and stand up for something just by making pop songs. They're my gang members and gang members are for life, and if you try and leave, we execute you. That's the way it goes. A simple bang, back of the head, into the river, and we keep moving on.
The average person is unaware that he or she is living out a negative destiny according to his or her past (childhood) programming, preserving his or her familiar identity, and, in the process, pushing love away. On an unconscious level, many people sense that if they did not push love away, the whole world, as they have experienced it, would be shattered and they would not know who they were.
Nobody believes the identities we've made for ourselves. I feel like everybody in the world is fake now - as though people had true cores once, but hucked them away and replaced them with something more attractive but also hollow.
Personal identity seems like it's just such an American archetype, from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything, or be anyone, what do you do with it?
This miracle of me is mine to own and keep, and mine to guard, and mine to use, and mine to kneel before.
Individualism and mobility are at the core of American identity
Every loss recapitulates earlier losses, but every affirmation of identity echoes earlier moments of clarity.
When we have sold our identity to the judges of this world, we are bound to become restless, because of a growing need for affirmation and praise.
Production of identity is a resistance element, an aggressive element. Both a refusal and an affirmation and an assertion, and certainly, we in Jamaica were talking about black art. And the idea that there is a role for art in the civil rights revolution and in the successor to the civil rights revolution.
Sex annihilates identity, and the space given to sex in contemporary novels is an avowal of the absence of character.
Today, every principle of identity is affected by fashion, precisely because of its potential to revert all forms to non-origin and recurrence. Fashion is always retro, but always on the basis of the abolition of the passé (the past): the spectral death and resurrection of forms. Its proper actuality (its 'up-to-dateness', its 'relevance') is not a reference to the present, but an immediate and total recycling.
The prerequisite of contrapuntal art, more conspicuous in the work of Bach than in that of any other composer, is an ability to conceive a priori of melodic identities which when transposed, inverted, made retrograde, or transformed rhythmically will yet exhibit, in conjunction with the original subject matter, some entirely new but completely harmonious profile.