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A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
Sep 19, 2025
I definitely have a little attraction to bad guys, but they have to be sweethearts underneath. After all, I like to be treated well.
'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.
I mean, it's not just one day you get up, bang, and you got Osama bin Laden. It's the kind of thing where an awful lot of people over a long period of time - thousands have worked this case and these issues and followed on the leads and captured bad guys and interrogated them and so-forth.
You can have a wrestling idea, but you need to have these momentum-shifting moves. We had the Hulkamania movement, then it shifted to the beer-drinking, Stone Cold era, we reinvented the business with growing the black beard and becoming the bad guy, what's that next level.
I don't enjoy any kind of danger or volatility. I don't have that kind of 'I love the bad guys' thing. No, no thank you. I like nice people.
It's definitely more fun playing a bad guy. It feels a lot better than playing one of the good guys.
I play out negative fantasies for people. I'm the guy people love to hate. And they always remember the bad guy.
The English are good at bad guys - the James Bond-style villain, cunning, slow-burning. The Americans are much more obvious about it.
People love westerns worldwide. There's something fantasy-like about an individual fighting the elements. Or even bad guys and the elements. It's a simpler time. There's no organized laws and stuff.
I guess they often cast me as the bad guy, because I'm not, er, conventional looking. I look sort of violent. I'm the odd one out, the outsider.
We've got to clear some of the room out of the prisons so we can put the bad guys in there, like the pedophiles and the politicians.
I never see my bad guys as simply bad. They want pretty much the same thing that you and I want: they want to be happy.
My favorite driver is always either the bad guy or the underdog.
I grew up pretty much prevented from knowing anything from Communist China except that they were the bad guys that stole our country.
When I go to Batman movies, I always think, 'Man, I would like to be a bad guy in a Batman movie.' especially as they got darker when they go to the Christian Bale era.
Torture is an impermissible evil. Except under two circumstances. The first is the ticking time bomb. An innocent's life is at stake. The bad guy you have captured possesses information that could save this life. He refuses to divulge. In such a case, the choice is easy.
I've always been, in games, the bad guy. If there was ever cops and robbers I was always a robber.
We start off wearing frilly shirts and britches and being good guys and the heroes. And then as time goes on, every English actor ends up playing bad guys. That's what we do.
Early in my career, people wanted to pigeonhole me as the bad guy because I'm of Italian-American descent, which they often were when I started out. You have to fight against it. One of the things that helps is the ability to do comedy.
The entrances I make now, when we kick in the door of a high-risk warrant, eighty percent of the homes we're kicking into, it's dark in there for some reason. That's just the way the bad guys are doing it now. So now all of my sights are night sights; I've also put special light rails on the bottom of all of them so I can put a special light on them that's combination white light/laser.
If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.
Now the bad guy's not targeting cash. He's targeting narcotics. And he's robbing a pharmacy because that's where the narcotics are.
Government and politics isn't like a reality TV show. It's not about voting the bad guys out of the house. You know, it's about what do we need to take our country or our state or our city forward? And people, frankly, would be well advised to really get back into understanding politics.
Fascism is relatively easy to explain. It is a reactionary phenomenon. Nazism was some bad guys having some bad ideas and unfortunately succeeding in realizing them.
As an actor in the theater you're taught that you never play a bad guy. You have to love who you are. You can't say, "Oh, I'm a bad guy." How do you play that?
Everyone has a right to bear arms. If you take guns away from legal gun owners, then the only people who have guns are the bad guys.
I'm not a bad guy... I'm just good guy that runs over women with his car.
Bill Gates is just a monocle and a Persian Cat away from being one of the bad guys in a James Bond movie.
[Playing] the bad guys tend to be fascinating. Figuring out what makes them do the things they do is what interests me.
Nikolaj [Coster-Waldau] plays one of the ugliest villains. We had to create such a horrible guy, because he is the bad guy in the [The Other Woman] movie. We took him as far pathologically as possible.
In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
I've never really had a chance to play a bad guy, and that's something I've always really, really wanted to do. I wanted to experience that really dark side of a person.
I don't want to paint myself as some villain - I was never a bad guy doing horrible things, but I got too caught up in wanting a very specific thing to happen to the band. Ultimately, I had to find the ability in myself to get over that and stop being so stringent and learn to laugh a little bit more.
You can't kill bad guys all day long because others will take their place.
Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.
The good guys in my movies mind their own business and they don't judge other people. And the bad guys are jealous, they judge other people without knowing the whole story, they want all the attention and they're mean spirited. So I think my films are politically correct in a weird way.
I really want to do a dark character. Not really a bad guy, but someone dark and mysterious. Where everyone says, 'Ooh, it has to be her!' and at the end you find out it isn't. Just someone who looks guilty.
What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting.
I was always the bad guy in Westerns. I played more bad guys than you can shake a stick at until I played the Professor. Then I couldn't get a job being a bad guy.
Carbohydrate is the bad guy. You have to see that.
The best thing wrestling ever taught me was how to network with people, how to talk to people, how to deal with a lot of different kinds of people in different situations and being a good guy and a bad guy teaches you how to be able to have a thick skin.
I don't want to play a bad guy who doesn't have a bit of good in him.
A boxing match is like a cowboy movie. There's got to be good guys and there's got to be bad guys. And that's what people pay for - to see the bad guys get beat.
I never went to a John Wayne movie to find a philosophy to live by or to absorb a profound message. I went for the simple pleasure of spending a couple of hours seeing the bad guys lose.
I love playing the bad guy getting away with stuff. I was that kid who learned from my older brothers who got away with everything by smiling.
I hate it when, by page 30, I know what the lead's going to do and then what the bad guy's gonna do. Mostly it's just scripts by the numbers where nothing's surprising, nothing's interesting.
It's always fun to play a bad guy because you get more to do. It's more arch. There's more energy to throw into it.
In recent years, anyone in the government, certainly anyone in the FBI or the CIA, or recently, in again, Clint's film, In the Line of Fire, the main bad guy is the chief advisor to the president.
Note to conservatives: sometimes you just have to give up. Do you really care that much about killing lots of bad guys as opposed to letting them rot in prison for the rest of their lives? It might be time to let go and save your energy for other battles. This one is getting absurd.