Charlie Quotes

When [Charlie Parker] saw the young guys, especially the ones that were scuffling... "Did you eat today?" And if you hadn't eaten, he'd take you and buy you some lunch.

The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.

Charlie Parker stuck out in my mind.

When I heard Charlie Parker the first time on a record, it had seemed like an old, scratchy kind of record and I didn't get it.

A couple of years ago, I went to see a production of Wicked in San Francisco with a friend of mine, one that Patty Duke was in, and he said, "Do you want to meet her?" And I said, "Yeah!" And I went backstage, and she walked out of her dressing room, looked at me, and said, "I know you." And I went, "Well, uh, yeah, I was in My Sweet Charlie." And she said, "Yeah! You were the guy in the car on the road!" And I was. It was amazing.

I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].

I did have a tiny moment in a TV movie called My Sweet Charlie, starring Patty Duke.

I love Ice Cube and Charlie Day. They're brilliant men, great actors and very funny people.

You can trust Charlie Crist.

I want to be remembered like Pete Rose. 'Charlie Hustle.' I want people to say, 'Wherever he was, he was always giving it his all.

When the Republicans controlled the House from 1994 -2006, Democrats like Nancy Pelosi, Barney Frank, Henry Waxman Charlie Rangel, John Conyers and Rahm Emanuel weren't saying we need to move right to win. They stuck to their philosophy. And they fought against Reagan and they fought against the Bushes. And eventually they did win.

I would urge a young player to listen to Charlie Christians' sense of time ... I'll never forget listening to my father (Bucky Pizzarelli) and Tal Farlow playing Christians' 'Solo Flight' backstage at a gig... that's when it hit me how big of an effect Christian had on jazz guitar. 'Solo Flight' was like the gospel.

Here look at me. I'm Charlie, the son you wrote off the books? Not that I blame you for it, but here I am, all fixed up better than ever. Test me. Ask me questions. I speak twenty languages, living and dead; I'm a mathematical whiz, and I'm writing a piano concerto that will make them remember me long after I'm gone.

Home. It's such a simple word, one I never knew would come to mean as much to me as it has. It once was my dad's house, then my uncle's farm. Mostly it's meant wherever Charlie and I were together. Now, though, it's you. It's your letters, your words. They're the place I go to with my fears, where I find comfort, where I feel safe.

Charlie Appleyard can be anybody; but Ive used him sometimes in chat pieces, and these are all chat pieces about the history of Charlie Appleyard.

I don't remember that I copied any guitar player note-for-note. But I remember copying Charlie Parker note for note.

I didn't know what the hell Charlie Parker was playing... I just liked the way he played.

I love it when celebrities fall apart, you want them to fall apart like Charlie Sheen.

I’ve worked with such legendary guitar players as Allan Holdsworth, Ronnie Montrose, Eric Clapton, Lowell George and Steve Vai, but none of them come close to having Ed’s [Eddie Van Halen's] fantastic combination of chops and musicianship. I rank him along with Charlie Parker and Art Tatum as one of the three greatest musicians of my lifetime. Unfortunately, I don’t think Ed puts himself in that class.

I was asking Charlie the most important questions, and you heard the answers.

I got a pet monkey called Charlie Chan.

I am on a drug. It's called Charlie Sheen.

Charlie Brown is the one person I identify with. C.B. is such a loser. He wasn't even the star of his own Halloween special.

As a kid, I think I wanted to be the on-set dresser for 'Charlie's Angels'. My goals weren't lofty. No. I just wanted to someday quit my paper round and that was about it.

We do nods to Charlie's Angels and Mission Impossible because they are popular with our fan base.

I stand with Charlie Hebdo, as we all must, to defend the art of satire.

After the horrific massacre Wednesday at the French weekly satirical magazine Charlie Hebdo, perhaps the West will finally put away its legion of useless tropes trying to deny the relationship between violence and radical Islam.

Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. 'Respect for religion' has become a code phrase meaning 'fear of religion.' Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect.

If the Charlie Hebdo attacks in Paris had nothing to do with Islam as President Francois Hollande suggested, why did he invite Muslim community leaders to meet him the day after the tragedy?

Charlie Hebdo was and is not The Onion or "The Daily Show." This is a different kind of satire. Might I put it this way - less politically correct.

Everyone understood [Charlie Hebdo], as people had understood for hundreds of years, knowing that Rabelaisian tradition of French satire, they knew how to read it. And they understood the kind of release from piety that it represented every week.

I take Charb's point, but at some point has Charlie Hebdo been trying to have it both ways because some of what they do is not funny.

I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity.

When I first thought about writing the book Charlie and the Chocolate Factory, I never originally meant to have children in it at all!

I did my first show when I was five and I was the King of the Oompa Loompas in Charlie and the Chocolate Factory. The kids theater company, I was the youngest one, so there wasnt a part for me, so they made me the king of the Oompa Loompas.

Capricorn was one of the homes of the Southern rock movement with the Allman Brothers and Charlie Daniels and the Marshall Tucker Band. I don't think you can come from that area and not be influenced by that stuff a little bit, no matter what generation you grew up in.

After 25 years of buying and supervising a great variety of businesses, Charlie [Munger] and I have not learned how to solve difficult business problems. What we have learned is to avoid them. To the extent we have been successful, it is because we have concentrated on identifying one-foot hurdles that we could step over rather than because we acquired any ability to clear seven-footers.

Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape

I came on to the film with a very happy-go-lucky attitude which I think my character, Charlie, did when she went into the house. I expected it to be good, and then slowly things started to change for us all.

The result is a twitching convulsion of vicious drivel passing itself off as a movie, which can be best appreciated by the kind of people who dig Showgirls, the Saw franchise and Spike Jonze-Charlie Kaufman flicks.

There can only be one answer to this hideous act of jihad against the staff of Charlie Hebdo. It is the obligation of the Western media and Western leaders, religious and lay, to protect the most basic rights of freedom of expression, whether in satire on any other form. The West must not appease, it must not be silenced. We must send a united message to the terrorists: Your violence cannot destroy our soul.

It’s not important,” Silena insisted. “We have to find Charlie!” Another first: a child of Aphrodite uninterested in jewellery.

Charlie Hebdo mocked everyone. They mocked the left. They mocked the right. They mocked, above all, the extreme right, the extreme right of Le Pen's. If anything could identify their politics, they were kinds of anarchists.

Charlie Hebdo were the licensed anarchist clowns of the society.

I don't know whether it was his (Charlie Christian's) melodic lines, his sound or his approach, but I hadn't heard anything like that before. He sounded so good and it sounded so easy, so I bought me a guitar and an amplifier and said now I can't do nothing but play! Really, welding was my talent, I think, but I sort of swished it aside.

... by then I was getting a little work, doing some playing and getting paid for it, not very much, but enough for me to feel justified in buying a real instrument. I bought a Gretsch with a De-Armond pickup on it and a second-hand Gibson amplifier; it looked like the one Charlie Christian used. I guess it was the same, although there were several models coming out at that time - this would be in I939.

Anything can happen anytime in markets. And no advisor, economist, or TV commentator-and definitely not Charlie nor I-can tell you when chaos will occur. Market forecasters will fill your ear but will never fill your wallet.

Charlie and I decided long ago that in an investment lifetime, it's too hard to make hundreds of smart decisions. That judgment became ever more compelling as Berkshire's capital mushroomed and the universe of investments that could significantly affect our results shrank dramatically. Therefore, we adopted a strategy that required our being smart and not too smart at that, only a very few times. Indeed, we now settle for one good idea a year.

Black music has always known, and not been afraid to acknowledge just how high the stakes of Black thought are. To summarize the final soliloquy of Clay, the protagonist in LeRoi Jones’ (aka Amiri Baraka’s) play Dutchman. You’d better be glad Charlie Parker could play him some horn and Bessie Smith could sing, because if they didn’t make music they might murder you. One would be hard pressed to find another group of people on this planet whose music is a surrogate for murder. One would be hard pressed to another group of people on this planet whose life is a proxy for death.

It would have been hard for Fat Charlie to say exactly when the accumulation of birds on the wire mesh moved from interesting to terrifying. It was somewhere in the first hundred or so, anyway. And it was in the way they didn't coo, or caw, or trill, or song. They simply landed on the wire, and they watched him.