Drawing Quotes

Drawing is the representation of form - the graphic expression of a visual experience.

A drawing should be a verdict on the model. Don't confuse a drawing with a map.

If you can't draw something, just draw it.

Drawing is the skeleton of what you do and color is its flesh.

Drawing is the sum of directions.

The process of drawing is... the process of putting the visual intelligence into action, the very mechanics of visual thought. Unlike painting and sculpture... the artist makes clear to himself and not to the spectator what he is doing. It is a soliloquy before it becomes communication.

There are many ways to draw beautifully. It's important to let the drawing be an investigation and sometimes, in order to investigate, you need to go off the path.

Do not fail, as you go on, to draw something every day, for no matter how little it is, it will be well worthwhile, and it will do you a world of good.

When a man's intellect is constantly with God, his desire grows beyond all measure into an intense longing for God and his incensiveness is completely transformed into divine love. For by continual participation in the divine radiance his intellect becomes totally filled with light; and when it has reintegrated its passible aspect, it redirects this aspect towards God, filling it with an incomprehensible and intense longing for Him and with unceasing love, thus drawing it entirely away from worldly things to the divine.

I got a job as a dishwasher in Oakland, and I would draw all day. It was nice because the lady who ran the boardinghouse where I worked let me live there for nothing if I gave her some drawings every week - mostly park drawings of birds and such.

I can be happy with something I did, like a drawing or a dress I designed, and yet be very disappointed with the same drawing, or the same dress the day after.

Draw, as much and as often as you can. When drawing lies fallow, the skill diminishes.

As we grow old, we become aware that death is drawing near; his shadow falls across our path; the realities of life seem less crude than of yore, they touch our senses less intimately, and they lose much of their poignancy.

Everything starts from a dot.

I'm not a sculptor; I'm a hard-edged model maker. You give me a drawing, you give me a prop to replicate, you give me a crane, scaffolding, parts from 'Star Wars' - especially parts from 'Star Wars' - I can do this stuff all day long. It's exactly how I made my living for 15 years.

Some liberation theologians maintain that they are not influenced by Marxist philosophy at all. In this case it is necessary to discern whether they say this for tactical reasons, so as not to be compromised politically or whether they are really convinced that Marxism doesn't influence them in any way. I personally think that it is not possible to evade the influence of Marxism, as we cannot commit ourselves to the revolutionary struggle without drawing support from the conclusions of scientific socialism.

In the end, worship can never be a performance, something you're pretending or putting on. It's got to be an overflow of your heart...Worship is about getting personal with God, drawing close to God.

There was a long stint during my childhood after I gave up on being a pro football player - were talking sixth grade here - that I strongly considered a future writing and drawing comic books. I have been making stuff up ever since.

I have been doodling since childhood. I have a passion for illustrating but cannot paint or colour for that matter. I illustrate what I am trying to communicate through my writing. My images are like drawings in a science text book.

Before he did all those lovely line drawings, Matisse would make really detailed charcoal drawings and tear them up. He wouldn't leave them about... I understand what he was doing: discovering what's there... to make the line meaningful, to find a linear solution.

I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase. For me, drawing is a lot to do with taking out, with returning to the white of the paper.

It's weird making a drawing of painting. I start to realize that charcoal is this incredibly fragile material. I'm making images of paintings out of dust.

A colourist makes his presence known even in a simple charcoal drawing.

I could not but smile to think in what out-of-the-way corners genius produces her bantlings! And the Muses, those capricious dames, who, forsooth, so often refuse to visit palaces, and deny a single smile to votaries in splendid studies, and gilded drawing-rooms--what holes and burrows will they frequent to lavish their favors on some ragged disciple!

I like making books but I'm not sure exactly what I'm doing. Perhaps I just try to arrange a bunch of seemingly random drawings into something that makes a vague narrative sense. Sometimes it sort of makes sense, sometimes it doesn't.

It was like a miracle, but before our very eyes, and almost in the drawing of a breath, the whole body crumbled into dust and passed from our sight.

Prayer is the breath of the new man, drawing in the air of mercy in petitions, and returning it in praises; it proves and maintains the spiritual life.

When you have practiced drawing for a while... take pains and pleasure in constantly copying the best works that you can find done by the hand of great masters.

Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them--whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.

There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.

If you can understand the humor in the drawing part you'll probably get the humor in the audio part.

Drawing is the honesty of the art.

Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad.

As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.

Travel opens different eyes to different things, shows things we've never seen before, shows the world from entirely different angles. That's the power of drawing and the power of travel. They both make the familiar unfamiliar and vice versa. They show what we all have in common and what we may have missed thanks to preconceptions that may have marred our vision.

I've never felt really creative or intuitive using software. I like paper and pens and paint. I need to angle real lights on my artwork and work with my hands and build props. Computers just take all that fun out of it [animation drawing].

I don't use names or captions for my many portraits of politicians and authors for newspapers. The drawing has to be self-explanatory, so I spend a lot of time sketching to find an idea and an angle that is clear.

Compare constantly, lines and angles... Hold looking-glass before your model and your drawing. Take a second's glance only, and see if the impression be the same. If it be not, ask, 'What is the difference?

As far as being territorial about one's own life, that's a mistake for ANY writer. All writers everywhere, in every genre, are drawing from their life and the lives of those around them for "material." Memoirs just make transparent and even amplify that activity.

My drawings inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined.

The State is a collection of officials, different for difference purposes, drawing comfortable incomes so long as the status quo is preserved. The only alteration they are likely to desire in the status quo is an increase of bureaucracy and the power of bureaucrats.

Isn't the drawing board the place where all the best work happens? It's not a bad thing to go back there. It's the entire point.

Sometimes when I'm watching television and something, an image, will come on that has to do with 9/11 or some of these families telling their stories, or children talking about drawing pictures of airplanes flying into towers, you know, I find myself still choking up.

The costs of the Bush-Obama wars in Iraq and Afghanistan are now estimated to run as high as $4.4 trillion - a major victory for Osama bin Laden, whose announced goal was to bankrupt America by drawing it into a trap. The 2011 military budget - almost matching that of the rest of the world combined - is higher in real terms than at any time since World War II and is slated to go even higher .

We struggle against easel painting not because it is an aesthetic form of painting, but because it is not modern, for it does not succeed in bringing out the technical side, it is a redundant, exclusive art, and cannot be of any use to the masses. Hence we are struggling not against painting but against photography carried out as if it were an etching, a drawing, a picture in sepia or watercolor.

I was a fan of Andy's since I was a small kid. I recall seeing an ad of famous people on an airplane together. It was caricature drawing. There was Muhammad Ali, there was Miles Davis, and there was Andy Warhol. I had a fascination with him since I was little.

In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?

From since I could remember I've always been an artist, drawing, painting and so forth. I would also always draw made up rock n' roll characters in a band who each had their own style and personalities. I think by accident I was already becoming a fashion designer.

Someone who is incapable of drawing, and cannot master line or colour perspective can always express themselves in some form of abstraction.

In drawing an inference or conclusion from facts proved, regard must always be had to the nature of the particular case, and the facility that appears to be afforded, either of explanation or contradiction. No person is to be required to explain or contradict, until enough has been proved to warrant a reasonable and just conclusion against him, in the absence of explanation or contradiction.