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I believe that couture is not about shocking.
Sep 10, 2025
These five years as a couturier have really changed my way of seeing fashion and my confidence with fashion. Couture is a dream.
It's what I call the haute couture, high-end version of fear perfectionism. It's just fear in really good shoes. But it's still fear.
A mutt is couture-it's the only one like it in the world, made especially for you.
With Dior Haute Couture, the dream is already there.
The ultimate art form of fashion is couture. I completely geek out when it comes to couture. It shows fashion as it used to be. I don't know how many people can actually afford the clothes, but in a way, that's beside the point.
For so long Versace couture was identified with celebrities and music, which I love. But at the same time it could overwhelm the clothes.
I don't really buy designer stuff. I have a few nice things, but I don't really have the occasion to wear couture too often.
The problem with couture is not designers; it's what happens when the couturier will no longer be there.
After all, it's very important for any big-name designer to have a couture range. I leave the ready-to-wear to my partner and team.
Don't say you don't know! It's because of Kim. Meaning there's no photo that I would have put up by myself, or next to one of my smarty friends, that would have got that amount of likes. So now you take this photo that has that amount of likes, and it has a flower wall from the same guy who does the Lanvin shows, and it has a couture Givenchy dress and Givenchy tuxedo in it. That's the point. Now the thing that is the most popular is also communicating the highest level of creativity. The concept of Kimye has more cultural significance than what Page Six could write.
I was wearing like, a Juicy Couture men's polo shirt. We weren't there, like, ready for war.
A great pair of shoes can make a $20 outfit look like couture, and a poorly constructed pair of shoes can make couture look like a cheap knockoff.
Today couture has to be expensive, but it shouldn’t look expensive.
With couture, you feel obligated to design something modern each season, but with Theyskens Theory, I don't question anything. I'm thinking of what I'd like to wear.
It's nice to have someone write a couture character for you.
I even do my ready-to-wear samples like couture.
One of the toughest guys in the world is Randy Couture - he is the true epitome of what a tough guy is.
Only in Paris do couture workers, from seamstress to mannequin, worship a dress and treat it like a baby.
Yeah, that's what I'm working for. The couture house of the future
Couture is emotion. Couture is freedom. Couture is not thinking about pricing and not thinking about craziness. You can do whatever you want to do in couture.
Haute Couture should be fun, foolish and almost unwearable.
Fashion fades, only style remains the same.
Haute couture consists of secrets whispered from generation to generation, If, in ready-to-wear, a garment is manufactured according to standard sizes, the haute couture garment adapts to any imperfection in order to eliminate it.
I'm constantly correcting young people and fashion students in this nation when they say "Well, I do couture." By definition, you don't. You have to be licensed by the government of France to do couture. So don't use that term. You can say that you do one-of-a-kind, you can say it's custom, but you can't say it's couture - because it's inaccurate.
I don't think couture will die. But it should have no pretension that it will conquer the world. It's not something that will disappear because all you need is a thread and a needle to start making something couture.
In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special.
Some couture collections have everything including the kitchen sink! Everything gets thrown on to make it look expensive. I find it grotesque when clothes hit you in the face and there's no room for fault. But I don't expect to turn things around all by myself. I'm not a saint.
I started collecting couture when I was about 10 or 11 years old, and the very first piece I bought was a Balenciaga suit from 1962.
Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.
I just think of couture clothing as wearable art. So from - to that extent I, you know, I love having the opportunity to just even be able to touch and look at, you know, these pieces of design. In terms of, you know, is it stressful and does it take a lot of time. It's mostly stressful because you're there because you're nominated.
A woman is closest to being naked when she is well-dressed.
The couture client wants the latest things, but she wants the clothes to be super-special - the fabrics won't even touch or go near anything like prêt-à-porter.
I saw a lot of haute couture all my childhood, and without knowing it I've learned from when I was a child to recognise beautiful fabrics.
I am still in love with couture because it is just two months from drawing pad to runway so everything on the catwalk is hot from the oven.
With couture you have faithfulness - people are faithful to you. In couture, you will see that the cut looks like a lace dress from a distance, but it's only when you get nearer you understand that it's layers of lace, hand stitched in a certain shape, all the work - the zips, the buttons, the hooks... it goes on.
After I knock out Randy Couture, I'll fight for the heavyweight title, the real heavyweight boxing title in October or November, come back and fight in the UFC in January or February. It doesn't matter, I'm a two sport athlete. The oldest man to ever do that.
EXTREME LUXURY ISN'T THE MOST BLING-BLING, IT'S EXTREME REFINEMENT, WHICH IS COUTURE AT ITS FINEST.
I hate the terminology of "costume" because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
I only take risks in couture, but I don't take risks in athleticism.
I had the luck at 18 to become assistant to Christian Dior, and to succeed him at 21 and to meet with success from my first collection in 1958. That will be 44 years in a few days. Above all it was Christian Dior who was my master and who was the first to reveal the secrets and mysteries of haute couture.
The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.
For me, couture is the kingdom of imagination, creativity and experimentation, and this is how I approach it. I do, however, remain pragmatic and realistic.
On 9/11, that morning, I was in a Christian Dior Couture appointment at the Hotel Pierre.
I did that Dior Couture 60th anniversary show in July. It took so long to get ready, I think I would have rather been watching.
The couture is what a certain kind of clientele wears. But it's amusing to do because you do it piece by piece. It's another concept. It's much more work.
For me, haute couture is a necessity. I never would have done this job were it not for haute couture. It is a comfort, a security. I almost feel it is our duty to continue. Haute couture is France. We have to keep all the skills and craftmanship alive.
Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.
Fashion is in the sky, in the street.
Fashion is not something that exists in dresses only.