Costumes Quotes

My whole background is character acting: weird costumes, fat suits, playing men, playing animals - I've never played anyone with whom there's any overlapping Venn diagram.

It’s tricky when you’re doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don’t have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.

I am, in fact, Superman. Every morning I wake up and go into a telephone booth and change my costume, and then go to work.

I always love costume, and I'm always heavily involved in how things should look. Or how they should feel really, because that's part of the way I suppose I get into character in some ways. It's a lot about costume.

I went to America to get away from constantly being cast in costume dramas, playing posh people.

I'd love to do a costume drama movie. For no other reason, except that it sounds fun to me.

The Hulk was a unique character because of his strength and power. He doesn't have a costume like Spiderman or like Superman - The Hulk is more visual. His passion and his strength, that is what separates him from anything else.

I see myself wrapped in lies, which do not seem to penetrate my soul, as if they are not really a part of me. They are like costumes.

And that's when I realized, when you're a kid you don't need a costume, you ARE superman.

My son wants to be Batman and he wants the Batman costume that comes in the mail. It has fake muscles in it, which is very disconcerting on a four-year-old.

From about eight years old I was always making things on the sewing machine. Friends would see me making dresses and costumes, and I'd use difficult fabrics such as Lycra and elastic. But you know, my dad was creative and my brother is inventive too.

Young people, however, tend to ignore the customs of their elders. Adolescent rebellion has been responsible for all manner of absurd costumes. The more ridiculous a certain fashion is, the more adolescents will cling to it.

She said, “I’m going to have you fired.” I had two people say that to me today, “I’m going to have you fired.” Go ahead, be my guest. I’m wearing a green velvet costume; it doesn’t get any worse than this. Who do these people think they are? I’m going to have you fired!” and I wanted to lean over and say, “I’m going to have you killed.

When people do love our show [Heroes] and they put on the costumes, they know everything about our characters. And it is overwhelming at the same time. But you know, it's something that we're grateful and that's the reason why our show's continued to succeed.

I've turned up to costume parties in the wrong costume. I've made social faux pas a plenty. I've put one foot in front of the other and fallen over.

Radio is truly the theater of the mind. The listener constructs the sets, colors them from his own palette, and sculpts and costumes the characters who perform in them.

The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery.

I'm a big comic book nerd so every time I'm in costume and see everyone in costume I'm just like "This is sick."

What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it's a dead body - you're just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, 'Oh, that's his pitch for a TV show. That's his pitch for a movie. That's him saying oh, this kind of thing sells.' I didn't do that.

People get into relationships. They get married and have kids, and all of a sudden, you can't just pick up and go get coffee, or go away for the weekend together, or go to a costume party together. It becomes a thing you have to plan.

At one point, I worked up a list of five requirements for a superhero: superpowers, a costume, a code name, a mission, and a milieu. If the character had three out of the five, they were a superhero. But that's just my definition.

It is only in the case of the Priestly Code that opinions differ widely; for it tries hard to imitate the costume of the Mosaic period, and, with whatever success, to disguise its own.

When you're wearing jeans there's a shift in your center of gravity. A costume like this and a character like this, there's no way to hide. If you try and play him any way sort of modern or normal, you diminish. He's larger than life. He's 150 percent. You've got to go for it all the time. It was just impossible.

I have friends who wear Star Wars costumes and act like the characters all day. I may not be that deep into it, but there's something great about loving what you love and not caring if it's unpopular.

Why not allow patrons to comment on directors' decisions, vote on costume design, listen to dancers' conversations, volunteer to help out in ways beyond just writing a check? They can see themselves as co-producers, not just bystanders.

I headed out to have a breather at the stage door, dressed in my tramp costume. I had my bowler hat between my feet and there were passers-by, and one of them turned back and said, 'Do you need help, brother?' And $1 fell into my hat!

The growing drama has outgrown such toys Of simulated stature, face, and speech: It also peradventure may outgrow The simulation of the painted scene, Boards, actors, prompters, gaslight, and costume, And take for a worthier stage the soul itself, Its shifting fancies and celestial lights, With all its grand orchestral silences To keep the pauses of its rhythmic sounds.

The first time I met Prince he invented me to his birthday party in Minneapolis. It was a costume party and I came as a beatnik - a beret and a charcoal goatee. He was dressed like an executioner. I talked to him for awhile and he didn't know who I was, and when I told him he was real surprised.

In most of our human relationships, we spend much of our time reassuring one another that our costumes of identity are on straight.

There are so many parts of music that it's actually a pleasure for me to work with an orchestra, or a jazz band, or a choir, and use every element that the musical tool box can offer. The world of music I love so much, and I can change the costume depending on the part, and I'm actually in the film.

I love putting on an outfit or a costume and just looking at myself in the mirror. Baggy pants or some real funky shoes and a hat and just feeling the character of it. That's fun to me.

When we leave the play saying how spectacular the sets or costumes were, or how interesting the ideas, it means we had a bad time.

Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.

I hate the terminology of "costume" because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.

Clothes make a statement. Costumes tell a story.

In dreams we are true poets; we create the persons of the drama; we give them appropriate figures faces, costumes; they are perfect in their organs, attitudes, manners; moreover they speak after their own characters, not ours; and we listen with surprise to what they say.

I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.

My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.

[Ritual] dwells in an invisible reality and gives this reality a vocabulary, props, costume, gesture, scenery. Ritual makes things separate, sets them apart from ordinary affairs and thoughts. Rituals need not be solemn, but they are formalized, stylized, extraordinary, and artificial. In the name of ritual, we can do anything. We can do astonishing acts. In the end, ritual gives us assurance about the unification of things.

For a while they wore suits or pants suits, and pants suits are kind of a women's appropriation of male costume, work costume. For me, it wasn't Western feminism or the Western workspace. It was my growing up in a house with a bunch of boys, so that male costuming just became my mode of appropriation way before, you know, Betty Friedan came along.

You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.

I discovered cosplay because I was going to an anime convention and did some research, and found out people dressed up as characters. I made a very badly put-together costume because I felt this desire to dress up.

I need a costume to be convinced that I'm somebody else. Otherwise, it's just me. It's just Amy saying lines. I haven't really become somebody else. And what's the fun in that?

Bertrand Russell said, 'Electricity is not a thing like St. Paul's Cathedral; it is a way in which things behave.' And it's not 'they' who say, but Walter Benjamin who said, 'Things are only mannequins and even the great world-historical events are only costumes beneath which they exchange glances with nothingness, with the base and the banal.' In September, 1940, Benjamin died under ambiguous circumstances in the French-Spanish border town of Portbou, while attempting to flee the Nazis.

I'm sure that there must have been times when you have read books or watched films and found yourself secretly wishing for the villain to win. Why? Isn't that against the rules by which our society lives? Why should you feel this way? It's simple, really; the villain is the true hero of these tales, not the well-intentioned moron who somehow foils their diabolical scheme. The villain get's all the best lines, has the best costumes, has unlimited power and wealth- why on earth would anyone not want to be the villain?

The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.

I went to school for clothing and textiles and thought this is what I was going to do. Then I started working in costumes and literally said, 'I don't know if I can take the actors.'

My first acting experience was a non-speaking role as a robot. My costume was a cardboard box covered in tinfoil, but I was so shy I refused to go on stage.

Immortals is without doubt the best-looking awful movie you will ever see. Eiko Ishioka's costume designs alone deserve an Oscar nomination. "They weren't at all historically accurate," grumbled a woman in the elevator after the sneak preview, as if lots of documentation exists about the wardrobes of the gods. She added: "I guess that's what we deserve for using free tickets we got at a Blackhawks game.

Who is telling us about the false self today? Who is even equipped tell us? Many clergy have not figured this out for themselves, since even ministry can be a career decision or an attraction to "religion" more than the result of an encounter with God or themselves. Formal religious status can maintain the false self rather effectively, especially if there are a lot of social payoffs like special respect, titles, salaries, a good self image, or nice costumes. It is no accident that the religious "Pharisees" became the symbolic bad guys in the Jesus story.