Cranes Quotes

I like audiences to crane their necks.

There are more whooping cranes in the United States of America than there are women in Congress.

When HSBC took the painting out of their building, they had to block the road and use a crane to bring the painting out from the window. They spent about 20,000 dollars just to get the painting out of the building! They said not to bring it back, and told Sotheby's to sell it immediately!

Our language, one of our most precious natural resources, deserves at least as much protection as our woodlands, streams and whooping cranes.

The Golden Crane flies for Tarmon Gai'don!

We all fear loneliness, madness, dying. Shakespeare and Walt Whitman, Leopardi and Hart Crane will not cure those fears. And yet these poets bring us fire and light.

I knew I wanted to be an actor when I was very young. I guess I was about 6 years old at the time, and I was fascinated by television. I started having waking fantasies where I was in a movie and there were crane shots of me during a scene.

There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film — you jump out, you think about the surface, and you don't stay in there with the characters and the story.

Television in America is so elaborate. There are so many remote cranes, and they have all the toys to play with. The directors are really good. They really work with you. So, I'm not really on set thinking, "Oh, my God, this is television. It's very different."

... the constant flow of images undercuts the sense that there's actually something wrong with the world. How can there really be a shortage of whooping cranes when you've seen a thousand images of them - seen ten times more images than there are actually whooping cranes left in the wild?

I'm not a sculptor; I'm a hard-edged model maker. You give me a drawing, you give me a prop to replicate, you give me a crane, scaffolding, parts from 'Star Wars' - especially parts from 'Star Wars' - I can do this stuff all day long. It's exactly how I made my living for 15 years.

A tree, freshly rooted, may be pulled up by one man on his own. Give it time, and it will not be moved, even with a crane

I used a Luma crane, a wounderful device; it makes the camera able to go anywhere. It was also used on Friday the 13th Part 3.

Shokaku is a crane of some kind.' 'For lifting things?' Will asked. 'For flying. A large bird type of crane,' she corrected him. 'In fact, as near I can Work it out, Shokaku means “a flying crane". 'Seems like a logical thing for a crane to do,' Halt mused. 'I suppose you wouldn't expect it to mean “a hiking crane" or “a waddling crane".'

Wherever I live, I shall feel homesick for Tibet. I often think I can still hear the cries of wild geese and cranes and the beating of their wings as they fly over Lhasa in the clear, cold moonlight. My heartfelt wish is that my story may create some understanding for a people whose will to live in peace and freedom has won so little sympathy from an indifferent world.

If only I could find a guy who wasn't in his 70s to talk to me about white cranes, I'd be madly in love.

Faith of Cranes is a love song to the beauty and worth of the lives we are able to lead in the world just as it is, troubled though it be... The writing is honest, intensely lived, and overflowing with heart: broken, mended, and whole.

Jason: I'm all for hobbies, but you think this is the time for origami? Whatcha making, a crane?

Not only after two or three centuries, but in a million years, life will still be as it was; life does not change, it remains for ever, following its own laws which do not concern us, or which, at any rate, you will never find out. Migrant birds, cranes for example, fly and fly, and whatever thoughts, high or low, enter their heads, they will still fly and not know why or where. They fly and will continue to fly, whatever philosophers come to life among them; they may philosophize as much as they like, only they will fly.

I think a person has to believe in something, or search out some kind of faith; otherwise life is empty, nothing. How can you live not knowing why the cranes fly, why children are born, why there are stars in the sky... Either you know why you live, or it's all small, unnecessary bits.

I think human beings must have faith or must look for faith, otherwise our life is empty, empty. To live and not to know why the cranes fly, why children are born, why there are stars in the sky. You must know why you are alive, or else everything is nonsense, just blowing in the wind.

A falcon who chases a warlike crane can only hope for a life of pain.

To what shall I liken the world? Moonlight, reflected In dewdrops, Shaken from a crane's bill.

I will write peace on your wings and you will fly all over the world.

Daja: "He and Rosethorn work together? They hate each other." Lark: "I didn't say they liked it. - Daja and Lark referring to Rosethorn and Crane's cooperation on finding the cures for new diseases

You really feel like you're on the cutting edge and you know you are because all the camera equipment you take for granted doesn't exist for 3-D. So all the cranes with all the stabilized heads, they don't work on 3-D because they're all built for lightweight camera packages. As soon as you kind of put two cameras together and all the other crap that they need and the cabling to go back to the computers, we've literally, the cranes on these movies, they break after a couple of days.

In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.

When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story.

I love the joy of mountains Wandering free with no concerns Every day I find food for this old body There's leisure for thinking, nothing to do Often I carry an ancient book Sometimes I climb a rock pavilion To look down a thousand foot precipice Overhead are swirling clouds A cold moon chilly cold My body feels like a flying crane

We have a legal system, and this is not something that happens all the time. We have capital punishment. America has capital punishment. Iran has capital punishment. Iran hangs people and leaves their bodies hanging on cranes. Iran put to death more than a thousand people last year. I don't see EU reporting on it.

Too many poets act like a middle-aged mother trying to get her kids to eat too much cooked meat, and potatoes with drippings (tears). I don't give a damn whether they eat or not. Forced feeding leads to excessive thinness (effete). Nobody should experience anything they don't need to, if they don't need poetry bully for them. I like the movies too. And after all, only Whitman and Crane and Williams, of the American poets, are better than the movies.

Once you leave Sundance suddenly you run into bulldozers and concrete and cranes, and all that heritage that the Mormon culture used to be so proud of is turned into out of control develpoment.

The higher the trail the steeper it grows Ten thousand tiers of dangerous cliffs The stone bridge is slippery with green moss Cloud after cloud keeps flying by Waterfalls hang like ribbons of silk The moon shines down on the bright pool I climb the highest peak once more To wait where the lone crane flies

To do justice to modern technology's rigid linear structure, to the lofty gridwork of cranes and bridges, to the dynamism of machines operating at one thousand horsepower - only photography is capable of that. What those who are attached to the painterly style regard as photography's defect, the mechanical reproduction of form - is just what makes it superior to all other means of expression.

There's an old saying among scientific guys: "You can't make an omelet without breaking eggs, ideally by dropping a cement truck on them from a crane."

Everything was so designed by Hannibal to break down Will in the first season, until Will's sanity became questionable. It's so much easier to believe that somebody losing their mind is capable of terrible things than it is to consider Frasier Crane, a charming, fun doctor who invites you to dinner. If you put those two in a police lineup, you're going to pick the guy who's melting down.

90 percent, 85 to 90 percent of Israeli citizens in Judea-Samaria, in the West Bank, live in clusters, in urban blocks. Everybody understands that if we were to have a solution then those blocks would stay in Israel. And that's where you saw these cranes; that's where Israelis live. In the Jewish neighborhoods of Jerusalem, everybody understands, they will stay.

Water inflated the belly Of Hart Crane, and of Shelley. Coleridge was a dope. Southwell died on a rope.

The beautiful thing about driving was that it stole just enough of his attention - car parked on the side, maybe a cop, slow to speed limit, time to pass this sixteen-wheeler, turn signal, check rearview, crane neck to check blind spot and yes, okay, left lane.

Cranes carry this heavy mystical baggage. They're icons of fidelity and happiness. The Vietnamese believe cranes cart our souls up to heaven on our wings.

I guess this is a bad time to mention I hung a dummy and painted Seneca Crane's name on it.

A theoretical physicist can spend his entire lifetime missing the intellectual challenge of experimental work, experiencing none of the thrills and dangers - the overhead crane with its ten-ton load, the flashing skull and crossbones and danger, radioactivity signs. A theorist's only real hazard is stabbing himself with a pencil while attacking a bug that crawls out of his calculations.

I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.

This is the most exciting place in the world to live. Oh yeah! There are so many ways to die in New York City! Race riots, drive by shootings, subway crashes, construction cranes collapsing on the sidewalks, manhole covers blowing up and asbestos shooting into the sky.

It was that period in the vernal quarter when we may suppose the Dryads to be waking for the season. The vegetable world begins to move and swell and the saps to rise, till in the completest silence of lone gardens and trackless plantations, where everything seems helpless and still after the bond and slavery of frost, there are bustlings, strainings, united thrusts, and pulls-all-together, in comparison with which the powerful tugs of cranes and pulleys in a noisy city are but pigmy efforts.

Do you recall the story of the young Yogi in the Mahâbhârata who prided himself on his psychic powers by burning the bodies of a crow and crane by his intense will, produced by anger?

I think there are very few invisible musical instrument players out there who can claim the chops and sheer perseverance of Björn Türoque, the world's perennial second-place air guitar champion. Whoever this Dan Crane might be, he's captured the mad, seductive spirit of the arbitrary skill contest perfectly, and rocks it hard into the hot Finnish night. There is no number of umlauts that do this Jekyll and Hyde of air-rocking justice.

When engineers and quantity surveyors discuss aesthetics and architects study what cranes do we are on the right road.

It's a very different experience shooting in 3-D because the camera rigs are so large. Everything we've become accustomed to in the last ten years as filmmakers, which is cameras getting smaller and smaller and you can just throw them on your shoulder and stick them in a car and do whatever you want, you can't do any of that now. You're forced to put things on dollies and track and cranes.

Working in 3D I didn't experience much of a difference, except that the cameras are very big so they can't be moved around with as much ease. It was more like, when you've seen photos of cameras from the 1930s being moved around with these huge cranes. So there was something quite sort of old-fashioned about it almost.