Jung Quotes

Jung Min’s palms are always sweating and he wears strange socks!

If you think along the lines of Nature then you think properly." from the video "Carl Jung speaks about death

Jung was absolutely right about one thing. We are occupied by gods. The mistake is to identify with the god occupying you.

Our first-year list is Sangeeta Bandyopadhyay (translated by Arunava Sinha), Hwang Jung-eun (translated by Jung Yewon), and Khairani Barokka.

As Carl Jung put it, "In each of us there is another whom we do not know." As Pink Floyd sang, "There's someone in my head, but it's not me."

So, it's really about modeling it and letting people know you are an inspired person, a person who is in spirit, and then those forces that Carl Jung called synchronicity begin to show up and, lo and behold, the universe provides for you.

Philemon explained how Jung treated thoughts as though they were generated by himself, while for Philemon thoughts were like animals in the forest, or people in a room, or birds in the air. Jung concluded that Philemon taught him psychic objectivity, the reality of the psyche. This helped Jung to understand that there is something in me which can say things that I do not know and do not intend.

Whereas Freud was for the most part concerned with the morbid effects of unconscious repression, Jung was more interested in the manifestations of unconscious expression, first in the dream and eventually in all the more orderly products of religion and art and morals.

Because rage and violence are human emotions and drives and capacities that inhabit us all. SEE CARL JUNG. Or that hipster Joseph Campbell. Because we all take archetypal journeys in a million ways - literal, symbolic, you name it - that figure, disfigure, and refigure violence.

Mortality is the great rescuer, it finally takes you out of everything, and that makes life good.Read Carl Jung. It makes life richer because this is it; none of us know where we go and this is the fun of it.

Jung Chang was the first person to tell a grand historical, political story through a personal narrative.

You use words like 'introvert' and 'extrovert,' various traits of a personality. A lot of that stuff, we used in drama school, and that was kind of interesting, to realize my teachers sort of ripped off a lot of Jung. And how much of it is part of our society now, these phrases, introvert and extrovert, where it actually came from.

[Carl Gustav] Jung was not right when he said that the unconscious message is always written clearly and so there is no need to seek to discover the distortions, because one must recognize that many dreams are more or less distortions.

North Korean dictator Kim Jung Il may be stepping down. Yeah, experts in the State Department say he could be replaced by his son, Menta Li Ill.

Carl Jung tells in one of his books of a conversation he had with a Native American chief who pointed out to him that in his perception most white people have tense faces, staring eyes, and a cruel demeanor. He said: “They are always seeking something. What are they seeking? The whites always want something. They are always uneasy and restless. We don't know what they want. We think they are mad.

Mythologies were the earliest dreams of mankind, and in the psychotic delusions of his patients, Jung believed he was encountering those dreams again. Freud, too, believed that the psyche retained archaic vestiges, remnants of our earlier mental world. But for Freud these were a burden we were forced to repress. Jung instead would see them as a reservoir of vital energy, a source of meaning and power from which, through the over-development of our rational minds, modern mankind has become divorced.

... the novel, as a living force, if not as a work of art, owes an incalculable debt to what we call, mistakenly, the new psychology, to Freud, in his earlier interpretations, and more truly, I think, to Jung.

Jung Min made my nickname. An animal called otter. At first I didn't know what exactly an otter was. So I didn't like it and said I didn't look like an otter. But one day, one of our fans upload its picture. It looked so cute. Since then, I've liked it.

Even philosophies who have denounced pseudosciences like psychoanalysis, have condoned pseudoscientific economic theories like neoclassical microeconomics. It is far safer and easier to criticize Freud and Jung than to criticize Milton Friedman and Friedrich Hayek, because the latter are backed by political movements whereas the former are not.

There's novel reading, and then there's the other kind of reading. Take somebody like Carl Jung, the psychiatrist - now there's somebody worth getting into. With novels, I'm kind of fly by night. It isn't something I can be really consistent with.

Freud, Jung thought, had been a great discoverer of facts about the mind, but far too inclined to leave the solid ground of "critical reason and common sense." Freud for his part criticized Jung for being gullible about occult phenomena and infatuated with Oriental religions; he viewed with sardonic and unmitigated skepticism Jung's defense of religious feelings as an integral element in mental health. For Freud, religion was a psychological need projected onto culture, the child's feeling of helplessness surviving in adults, to be analyzed rather than admired.

At the entrance to the original tower, there is a stone into which Jung carved some words with his own hand: 'Cold or not, God is present.

Jung Min is SS501's Hitler. When we lived together, we played video games. But we can't turn the sound loud. Not even by one click. Jung Min says we can't have it loud, so we're like “Ok, fine. He's our member, so let's be understanding and turn it down.” We turn it off, but he goes to his room and does karaoke!

Jung first gave us the term ‘shadow’ to refer to those parts of our personality that have been rejected out of fear, ignorance, shame, or lack of love. His basic notion of the shadow was simple: ‘the shadow is the person you would rather not be.’ He believed that integrating the shadow would have a profound impact, enabling us to rediscover a deeper source of our own spiritual life. ‘To do this,’ Jung said, ‘we are obliged to struggle with evil, confront the shadow, to integrate the devil. There is no other choice.’

Synchronicity is a term used by Carl Jung to describe coincidences that are related by meaningfulness rather than by cause and effect.

Free will is something that people struggle with so much, but it's very simple to me. Carl Jung said at the same moment you're a protagonist in your own life making choices, you also are the spear carrier, or the extra, in a much larger drama. You've got to live with these two opposite ideas at the same time.

The research reading I did for Fascination and Liberation included some Jung, and I noticed that he had a similar impression of Buddhism to myself, that, if it weren't for certain qualifying clauses, the philosophy would be downright suicidal.

When you love a woman don't be bothered about what others have said about love, because that is going to be an interference. You love a woman, the love is there, forget all that you have learned about love. Forget all Kinseys, forget all Masters and Johnsons, forget all Freuds and Jungs. Please don't become a language professor. Just love the woman and let love be there, and let love lead you and guide you into its innermost secrets, into its mysteries. Then you will be able to know what love is.

Whether looked at from outside or inside, bodies dissolve, matter vanishes, spirit remains - once we bother to go into the matter. "Spirit is the living body seen from within, and the body is the outer manifestation of the living spirit." Extend this statement by Carl Jung to all bodies from electrons to galaxies, and you have the ultimate physics

I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior FBI-men, discards from Freud and Jung and a sort of Columnist peep-hole and missing laundry list school. ... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.

To sum up: numbers appear to represent both an attribute of matter and the unconscious foundation of our mental process. For this reason, number forms, according to Jung, that particular element that unites the realms of matter and psyche. It is "real" in a double sense, as an archetypal image and as a qualitative manifestation in the realm of outer-world experience.

Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations.

Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.

Psychedelic drugs, especially psilocybin, allow a searchlight to be thrown on these deeper levels of the psyche, as Jung correctly stated. But it is not a museum of archetypes or psychic constructs, as he seemed to assume. It is a frontier of wholeness into which any person, so motivated and so courageous as to wish to do it, can go and leave the mundane plane far behind.

Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.

Number, as it were, lies behind the psychic realm as a dynamic ordering principle, the primal element of which Jung called spirit. As an archetype, number becomes not only a psychic factor, but more generally, a world-structuring factor. In other words, numbers point to a background reality in which psyche and matter are no longer distinguishable.

Jung said there are four archetypes adults go through, and these archetypes are reflected in the development of my work. The first archetype is the archetype of the athlete, reflecting the time in our adult life when our primary emphasis is on our body - what it looks like, how beautiful it is, how strong it is, and so on. We identify ourselves with our body. We are our body. Growing adults next move to what Jung called the archetype of the warrior. We take our physical bodies out there to do what warriors do.

Science fiction, because it ventures into no man's lands, tends to meet some of the requirements posed by Jung in his explorations of archetypes, myth structures and self-understanding. It may be that the primary attraction of science fiction is that it helps us understand what it means to be human.

The psyche is the inward experience of the human body, which is essentially the same in all human beings, with the same organs, the same instincts, the same impulses, the same conflicts, the same fears. Out of this common ground have come what Jung has called the archetypes, which are the common ideas of myths.

Jung Min is extra friendly. Not meaning that his face/appearance is extra friendly, but his personality is very friendly and mature. At home, he often washes dishes. In dorms, he also cooks for everyone. He usually offers to help others and takes good care of everyone. He is a very outgoing and interesting friend.

Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.

What we, thanks to Jung, call "synchronicity" (coincidence on steroids), Buddhists have long known as "the interpenetration of realities." Whether it's a natural law of sorts or simply evidence of mathematical inevitability (an infinite number of monkeys locked up with an infinite number of typewriters eventually producing 'Hamlet,' not to mention 'Tarzan of the Apes'), it seems to be as real as it is eerie.

Like lots of baby boomers, I was brought up on archaic anthropomorphism. Upstanding Christian dogs. Rabbits with family values. Because the ancient texts and pictures were sacred - Potter, Milne and the rest. Even concerned parents who knew Freud and Jung never saw the contradictions in feeding us on them.

There were two forests for every one you entered. There was the one you walked in, the physical echo, and then there was the one that was connected to all the other forests, with no consideration of distance, or time. The forest primeval, remembered through the collective memory of every tree in the same way that people remembered myth- through the collective subconscious that Jung mapped, the shared mythic resonance that lay buried in every human mind. Legend and myth, all tangled in an alphabet of trees remembered, not always with understanding, but with wonder. With awe.

I like to use the term alchemy, which is the soul of the world, or those of Jung's collective unconscious. You connect with a space where everything is.

Beauty has never been an important topic in the writings of the major psychologists. In fact, for Jung, aesthetics is a weak, early stage of development. He follows the Germanic view that ethics is more important than aesthetics, and he draws a stark contrast between the two. Freud may have written about literature a bit, but an aesthetic sensitivity is not part of his psychology.

As Carl Jung once said, 'When an inner situation is not made conscious, it appears outside as fate.' When our boys become adults, we become their inner situation. We become inner voices they often hear in their work, relationships and spiritual practice.

When someone new comes into your life and suddenly you feel more alive, more beautiful, more sexual, more creative, more desirable and more engaged; you feel that this new person is the key to those feelings. But actually, you have these qualities too. What you don't see and don't acknowledge in yourself, you project onto someone else. Carl Jung explored this very well. He called it projection.

I can still recall vividly how Freud said to me, "My dear Jung, promise me never to abandon the sexual theory. That is the most essential thing of all. You see, we must make a dogma of it, an unshakable bulwark" ... In some astonishment I asked him, "A bulwark-against what?" To which he replied, "Against the black tide of mud"-and here he hesitated for a moment, then added of occultism.

Back in the 1930s, Carl Jung, the eminent thinker and psychologist, put it this way: Criticism has 'the power to do good when there is something that must be destroyed, dissolved or reduced, but [it is] capable only of harm when there is something to be built.